Riverside Records Discography: 1959
1959
Bill Evans Trio
Bill Evans, piano; Paul Chambers, bass; Philly Joe Jones, drums.
Reeves Sound Studios, NYC, January 19, 1959
| You And The Night And The Music | Milestone M-47024, MCD-9235-2 | |
| My Heart Stood Still | - | |
| Green Dolphin Street | - | |
| How Am I To Know? | - | |
| Woody'n You (take 1) | - | |
| Woody'n You (take 2) | - |
* Milestone M-47024 Bill Evans - Peace Piece And Other Pieces 1975
* Milestone MCD-9235-2 Bill Evans - On Green Dolphin Street 1995
Kenny Dorham Septet Featuring Cannonball Adderley
Kenny Dorham, trumpet; David Amram, French horn; Julian "Cannonball" Adderley, alto sax; Cecil Payne, baritone sax; Cedar Walton, piano; Paul Chambers, bass; Jimmy Cobb, drums #1-4; Philly Joe Jones, drums #5,6.
Reeves Sound Studios, NYC, January 20, and February 18, 1959
| 1. | Blue Spring | Riverside RLP 12-297; Jazzland JLP 82 |
| 2. | It Might As Well Be Spring | Riverside RLP 12-297 |
| 3. | Poetic | - |
| 4. | Spring Is Here | - |
| 5. | Spring Cannon | Riverside RLP 12-297; Jazzland JLP 82 |
| 6. | Passion Spring | - |
* Riverside RLP 12-297, RLP 1139 Kenny Dorham Septet, Cannonball Adderley - Blue Spring 1959
= Original Jazz Classics OJC-134 - 1984
= Original Jazz Classics OJCCD-134-2 - 1990
* Jazzland JLP 82, JLP 982 Kenny Dorham And Friends With Cannonball Adderley & Sonny Rollins 1962
Evans Bradshaw Trio
Evans Bradshaw, piano; Alvin Jackson, bass; Richard Allen, drums.
Reeves Sound Studios, NYC, January 27, 1959
| The Trolley Song | Riverside RLP 12-296 | |
| Mangoes | - | |
| Pushing The Blues | - | |
| It Ain't Necessarily So | - | |
| Take The "A" Train | - | |
| A Foggy Day | - | |
| It's All Right With Me | - | |
| Blues For Jim | - | |
| Night In Tunisia | - |
* Riverside RLP 12-296, RLP 1136 Evans Bradshaw Trio - Pieces Of Eighty-Eight 1959
Wynton Kelly Sextet
Nat Adderley, cornet; Bobby Jaspar, flute; Benny Golson, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Reeves Sound Studios, NYC, February 19, 1959
| Kelly Blue | Riverside RLP 12-298 | |
| Keep It Moving (take 4) | - | |
| Keep It Moving (take 3) | Original Jazz Classics OJCCD-033-2 |
* Riverside RLP 12-298, RLP 1142 Wynton Kelly - Kelly Blue 1959
= Original Jazz Classics OJC-033 - 1982
= Original Jazz Classics OJCCD-033-2 - 1989
= Milestone M-47026 Wynton Kelly - Keep It Moving 1975
Clark Terry Quintet With Don Butterfield
Clark Terry, trumpet, flugelhorn; Don Butterfield, tuba; Jimmy Jones, piano; Sam Jones, bass; Art Taylor, drums.
Reeves Sound Studios, NYC, February 24 and 26, 1959
| Mili-Terry | Riverside RLP 12-295 | |
| The Swinging Chemise | - | |
| My Heart Belongs To Daddy | Riverside RLP 12-295; Milestone M-47032 | |
| Blues For Etta | Riverside RLP 12-295 | |
| Top 'N' Bottom | Riverside RLP 12-295; Milestone M-47032 | |
| "127" | Riverside RLP 12-295 | |
| A Sunday Kind Of Love | Riverside RLP 12-295; Milestone M-47032 | |
| Mardi Gras Waltz | Riverside RLP 12-295 |
* Riverside RLP 12-295, RLP 1137 Clark Terry Quintet With Don Butterfield Tuba - Top And Bottom Brass 1959
= Original Jazz Classics OJCCD-764-2 - 1992
* Milestone M-47032 Clark Terry - Cruising 1975
The Thelonious Monk Orchestra
Donald Byrd, trumpet; Eddie Bert, trombone; Robert Northern, French horn; Jay McAllister, tuba; Phil Woods, alto sax; Charlie Rouse, tenor sax; Pepper Adams, baritone sax; Thelonious Monk, piano; Sam Jones, bass; Art Taylor, drums; Thelonious Monk, composer; Thelonious Monk, Hall Overton, arranger.
Town Hall, NYC, February 28, 1959
| Thelonious | Riverside RLP 12-300 | |
| Friday The 13th | Riverside RLP 12-300, RM 483/484; Original Jazz Classics OJCCD-135-2 | |
| Monk's Mood | Riverside RLP 12-300; Original Jazz Classics OJCCD-135-2 | |
| Little Rootie Tootie | Riverside RLP 12-300, RLP 421; Original Jazz Classics OJCCD-135-2 | |
| Off Minor | Riverside RLP 12-300; Original Jazz Classics OJCCD-135-2 | |
| Crepescule With Nellie | - | |
| Thelonious (complete version) | Milestone M-9115; Original Jazz Classics OJCCD-135-2 | |
| Little Rootie Tootie (encore) | Milestone M-47033; Original Jazz Classics OJCCD-135-2 |
Charlie Rouse, tenor sax; Thelonious Monk, piano; Sam Jones, bass; Art Taylor, drums.
| In Walked Bud | Milestone M-9115 | |
| Blue Monk | - | |
| Rhythm-a-ning | - |
* Riverside RLP 12-300, RLP 1138 The Thelonious Monk Orchestra At Town Hall 1959
= Original Jazz Classics OJC-135 - 1984
= Milestone M-47033 Thelonious Monk - In Person 1976
* Riverside RM 483/484, RS 9483/9484 The Thelonious Monk Story 1966
* Riverside RLP 421, RLP 9421 Thelonious Monk Greatest Hits 1962
* Milestone M-9115 Thelonious Monk - Evidence 1983
* Original Jazz Classics OJCCD-135-2 The Thelonious Monk Orchestra At Town Hall 1989
Wynton Kelly Trio
Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Reeves Sound Studios, NYC, March 10, 1959
| Softly, As In A Morning Sunrise | Riverside RLP 12-298 | |
| Green Dolphin Street | - | |
| Willow Weep For Me | - | |
| Old Clothes | - | |
| Do Nothin' Till You Hear From Me | Original Jazz Classics OJCCD-033-2 |
* Riverside RLP 12-298, RLP 1142 Wynton Kelly - Kelly Blue 1959
= Original Jazz Classics OJC-033 - 1982
= Original Jazz Classics OJCCD-033-2 - 1989
= Milestone M-47026 Wynton Kelly - Keep It Moving 1975
Nat Adderley Sextet
Nat Adderley, cornet; "Slide" Hampton, tuba #1, trombone #2-5,7; Wynton Kelly, piano; Sam Jones, cello #1, bass #2-8; Laymon Jackson, bass #1, tuba #2-8; Albert Heath, drums.
Reeves Sound Studios, NYC, March 23 and 27, 1959
| 1. | Blue Concept | Riverside R-45-426, RLP 12-301 |
| 2. | Little Miss | Riverside RLP 12-301 |
| 3. | Israel | - |
| 4. | What Next? | - |
| 5. | Moving | - |
| 6. | Blue Brass Groove | - |
| 7. | Accents | - |
| 8. | Sometimes I Feel Like A Motherless Child | Riverside R-45-426, RLP 12-301 |
* Riverside RLP 12-301, RLP 1143 Nat Adderley Sextet - Much Brass 1959
= Original Jazz Classics OJCCD-848-2 - 1995
* Riverside R-45-426 Nat Adderley - Blue Concept / Sometimes I Feel Like A Motherless Child 1959
Charlie Byrd With His Showboat Trio And Members Of The National Symphony Winds
Charlie Byrd, guitar; with Keter Betts, bass; Bertell Knox, drums; and Wallace Mann, flute; Richard White, oboe; Kenneth Pasmanick, bassoon; Buck Hill, tenor sax; Charles Schneer, piano; Ginny Byrd, vocal.
Edgewood Recording Studio, Washington, DC, March, 1959
| Swing '59 | Offbeat OJ-3005 | |
| You'd Be So Nice To Come Home To | - | |
| Showboat Shuffle | - | |
| Love Letters | - | |
| Cross Your Heart | - | |
| Keter's Dirty Blues | - | |
| You're A Sweetheart | - | |
| Stars Fell On Alabama | - | |
| A Long Way From St. Louis | - | |
| Wait Till You See Her | - | |
| Georgia | - | |
| Copacabana | - |
* Offbeat OJ-3005 Charlie Byrd - Byrd In The Wind: Jazz At The Showboat Vol. II 1959
= Riverside RM 449, RS 9449 Charlie Byrd Trio And Woodwinds - Byrd In The Wind 1963
= Original Jazz Classics OJCCD-1086-2 - 2002
Abbey Lincoln
Abbey Lincoln, vocal; accompanied by Tommy Turrentine, trumpet #1,3,6,10; Kenny Dorham, trumpet #2,4,5,7-9; Julian Priester, trombone #1,3,6,10; Stanley Turrentine, tenor sax #1,3,6,10; Wynton Kelly, piano #2,4,5; Cedar Walton, piano #3,6; Phil Wright, piano #7-9; Les Spann, guitar #2,4,7-9, flute #5; Bobby Boswell, bass #1,3,6,10; Sam Jones, bass #2,4,5,7-9; Max Roach, drums #1,3,6,10; Philly Joe Jones, drums #2,4,5,7-9.
Reeves Sound Studios, NYC, spring and fall 1959
| 1. | Afro-Blue | Riverside RLP 12-308 |
| 2. | Lonely House | - |
| 3. | Let Up | - |
| 4. | Thursday's Child | - |
| 5. | Brother, Where Are You? | - |
| 6. | Laugh, Clown, Laugh | - |
| 7. | Come Sunday | - |
| 8. | Softly, As In A Morning Sunrise | - |
| 9. | Lost In The Stars | - |
| 10. | Long As You're Living | - |
* Riverside RLP 12-308, RLP 1153 Abbey Lincoln - Abbey Is Blue 1959
= Original Jazz Classics OJC-069 - 1983
= Original Jazz Classics OJCCD-069-2 - 1987
John Lee Hooker
John Lee Hooker, guitar, vocal.
Detroit, MI, April 20, 1959
| Burning Hell | Riverside (Du) RM 008 | |
| Graveyard Blues | - | |
| Baby, Please Don't Go | - | |
| Jackson, Tennessee | - | |
| You Live Your Life And I'll Live Mine | - | |
| Smokestack Lightnin' | - | |
| How Can You Do It | - | |
| I Don't Want No Woman If Her Hair Ain't No Longer Than Mine | - | |
| I Rolled And Turned And Cried The Whole Night Long | - | |
| Blues For My Baby | - | |
| Key To The Highway | - | |
| Natchez Fire | - |
* Riverside (Du) RM 008 John Lee Hooker - Burning Hell 1964
= Original Blues Classics OBCCD-555-2 -
Cannonball Adderley Quartet
Julian "Cannonball" Adderley, alto sax; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums.
Reeves Sound Studios, NYC, April 23, 1959
| I've Told Every Little Star | Riverside RLP 12-303 |
* Riverside RLP 12-303, RLP 1148 Cannonball Takes Charge 1959
= Landmark LLP-1306 The Cannonball Adderley Collection Volume 6 - Cannonball Takes Charge 1987
= Landmark LCD-1306-2 - 1988
Cannonball Adderley Quartet
same personnel.
Reeves Sound Studios, NYC, April 27, 1959
| If This Isn't Love | Riverside RLP 12-303 | |
| I Guess I'll Hang My Tears Out To Dry | - | |
| Serenata | Riverside R-45-428, RLP 12-303 |
* Riverside RLP 12-303, RLP 1148 Cannonball Takes Charge 1959
= Landmark LLP-1306 The Cannonball Adderley Collection Volume 6 - Cannonball Takes Charge 1987
= Landmark LCD-1306-2 - 1988
* Riverside R-45-428 Cannonball Adderley - Poor Butterfly / Serenata 1959
John Lee Hooker
John Lee Hooker, vocal, guitar.
United Sound Systems, Detroit, MI, April, 1959
| Black Snake | Riverside RLP 12-838 | |
| How Long Blues | - | |
| Wobblin' Baby | - | |
| She's Long, She's Tall, She Weeps Like A Willow Tree | - | |
| Pea Vine Special | - | |
| Tupelo Blues | - | |
| I'm Prison Bound | - | |
| I Rowed A Little Boat | - | |
| Water Boy | - | |
| Church Bell Tone | - | |
| Bundle Up And Go | - | |
| Good Mornin', Lil' School Girl | - | |
| Behind The Plow | - |
* Riverside RLP 12-838 The Country Blues Of John Lee Hooker 1959
= Battle BLP 6114 John Lee Hooker - How Long Blues 1963
= Original Blues Classics OBCCD-542-2 The Country Blues Of John Lee Hooker 1991
Joe Harriott Quintet
Hank Shaw, trumpet; Joe Harriott, alto sax; Harry South, piano; Coleridge Goode, bass; Bobby Orr, drums.
Lansdowne Studios, London, England, May 5, 1959
| Still Goofin' | Columbia (E) SEG 7939; Jazzland JLP 37 | |
| Count Twelve | - | |
| Senor Blues | - | |
| Jumpin' With Joe | - |
* Jazzland JLP 37, JLP 937S Joe Harriott Quintet And Sextet - Southern Horizons 1961
* Columbia (E) SEG 7939 Joe Harriott Quintet - Blue Harriott 1959
Cannonball Adderley Quartet
Julian "Cannonball" Adderley, alto sax; Wynton Kelly, piano; Percy Heath, bass; Albert Heath, drums.
Reeves Sound Studios, NYC, May 12, 1959
| Poor Butterfly | Riverside R-45-428, RLP 12-303 | |
| Barefoot Sunday Blues (take 3) | Riverside RLP 12-303 | |
| I Remember You (take 12) | - | |
| Barefoot Sunday Blues (take 1) (previously unissued) | Landmark LLP-1306, LCD-1306-2 | |
| I Remember You (take 11) (previously unissued) | - |
* Riverside RLP 12-303, RLP 1148 Cannonball Takes Charge 1959
= Landmark LLP-1306 The Cannonball Adderley Collection Volume 6 - Cannonball Takes Charge 1987
= Landmark LCD-1306-2 - 1988
* Riverside R-45-428 Cannonball Adderley - Poor Butterfly / Serenata 1959
Philly Joe Jones' Big Band Sounds
Blue Mitchell, trumpet #1,2,5,8; Lee Morgan, trumpet #1-3,6-8; Curtis Fuller, trombone #1-3,5-8; Herbie Mann, flute, piccolo #1,3,5,6; Cannonball Adderley, alto sax #1-3,6-8; Benny Golson, tenor sax #1-3,7,8; Sahib Shihab, baritone sax #1-3,6-8; Wynton Kelly, piano #1-3,5-8; Sam Jones, bass #1,2,5,8; Jimmy Garrison, bass #3,6,7; Philly Joe Jones, drums.
Reeves Sound Studios, NYC, May, 1959
| 1. | Blue Gwynn | Riverside RLP 12-302 |
| 2. | Stablemates | Riverside RLP 12-302; Milestone M-47016 |
| 3. | "El Tambores" (Carioca) | - |
| 4. | The Tribal Message (drum solo) | - |
| 5. | Cherokee | Riverside RLP 12-302 |
| 6. | Land Of The Blue Veils | - |
| 7. | Philly J.J. | - |
| 8. | Stablemates (previously unissued) (mono) | Original Jazz Classics OJCCD-1792-2 |
* Riverside RLP 12-302, RLP 1147 Philly Joe Jones Big Band Sounds - Drums Around The World 1959
= Jazzland JLP 92, JLP 992 - 1966
= Original Jazz Classics OJCCD-1792-2 - 1992
* Milestone M-47016 Art Blakey, Max Roach, Elvin Jones, Philly Joe Jones - The Big Beat 1974
Thelonious Monk Quintet
Thad Jones, cornet; Charlie Rouse, tenor sax; Thelonious Monk, piano; Sam Jones, bass; Art Taylor, drums.
Reeves Sound Studios, NYC, June 1 and 2, 1959
| Jackie-ing | Riverside RLP 12-305, RLP 421, RM 483/484; Milestone M-47023 | |
| Straight, No Chaser | Riverside RLP 12-305; Milestone M-47023 | |
| Played Twice (take 3) | - | |
| I Mean You | - | |
| Ask Me Now | - | |
| Played Twice (take 1) | Milestone M-9124; Original Jazz Classics OJCCD-362-2 | |
| Played Twice (take 2) | Milestone M-47023; Original Jazz Classics OJCCD-362-2 |
* Riverside RLP 12-305, RLP 1150 5 By Monk By 5 1959
= Original Jazz Classics OJC-362, OJCCD-362-2 - 1989
* Riverside RLP 421, RLP 9421 Thelonious Monk Greatest Hits 1962
* Riverside RM 483/484, RS 9483/9484 The Thelonious Monk Story 1966
* Milestone M-47023 Thelonious Monk - Brilliance 1975
* Milestone M-9124 Thelonious Monk - Blues Five Spot 1984
The Jazz Couriers Featuring Tubby Hayes And Ronnie Scott
Ronnie Scott, tenor sax; Tubby Hayes, tenor sax, vibes #3,4, alto flute #6; Terry Shannon, piano; Kenny Napper, bass; Phil Seamen, drums; Tubby Hayes, arranger.
Decca Studios, London, England, June 26, and July 3, 1959
| 1. | If This Isn't Love | Tempo (E) TAP 26 |
| 2. | Easy To Love | - |
| 3. | Whisper Not | - |
| 4. | Autumn Leaves | - |
| 5. | Too Close For Comfort | - |
| 6. | Yesterdays | - |
| 7. | Love Walked In | - |
* Tempo (E) TAP 26 The Jazz Couriers Featuring Ronnie Scott And Tubby Hayes - The Last Word 1959
= Jazzland JLP 34, JLP 934S The Jazz Couriers Featuring Tubby Hayes And Ronnie Scott - The Message From Britain 1961
Billy Taylor With Four Flutes
Phil Bodner, Frank Wess, flute #1,2,6-8; Herbie Mann, flute #1-4,6-9; Jerome Richardson, flute #1-5,8,9; Jerry Sanfino, flute #3-5,9; Billy Slapin, flute #3-7,9; Seldon Powell, flute #5; Billy Taylor, piano; Tommy Williams, bass; Dave Bailey, drums #1,2,6-8; Albert Heath, drums #3-5,9; Chino Pozo, congas.
A&R Studios, NYC, July 20 and 24, 1959
| 1. | The Song Is Ended | Riverside R-45-430, RLP 12-306 |
| 2. | Back Home | Riverside RLP 12-306 |
| 3. | St. Thomas | - |
| 4. | Lady Be Good | - |
| 5. | No Parking | - |
| 6. | Koolbongo | Riverside R-45-430, RLP 12-306 |
| 7. | Blue Shutters | Riverside RLP 12-306 |
| 8. | One For The Woofer | - |
| 9. | How About You? | - |
* Riverside RLP 12-306, RLP 1151 Billy Taylor With Four Flutes 1959
= Original Jazz Classics OJCCD-1830-2 - 1994
* Riverside R-45-430 Billy Taylor - Koolbongo / The Song Is Ended 1959
Chet Baker Septet/Quintet
Chet Baker, trumpet; Herbie Mann, flute #1-3,7,8, tenor sax #5; Zoot Sims, alto, tenor sax #1-3,5-8; Pepper Adams, baritone sax #1-5,7,8; Bob Corwin, piano #1,3-5; Bill Evans, piano #2,6-8; Earl May, bass; Clifford Jarvis, drums.
Reeves Sound Studios, NYC, July 21 and 22, 1959
| 1. | I've Grown Accustomed To Her Face | Riverside RLP 12-307 |
| 2. | I Could Have Danced All Night | - |
| 3. | The Heather On The Hill | - |
| 4. | On The Street Where You Live | - |
| 5. | Almost Like Being In Love | - |
| 6. | Thank Heaven For Little Girls | - |
| 7. | I Talk To The Trees | - |
| 8. | Show Me | - |
* Riverside RLP 12-307, RLP 1152 Chet Baker Plays The Best Of Lerner & Loewe 1959
= Original Jazz Classics OJC-137 - 1984
= Original Jazz Classics OJCCD-137-2 - 1989
Woody Herman And His Orchestra, Plus The Octet
Burt Collins, Bernie Glow, Reunald Jones, Irvin Markowitz, Red Rodney, Ernie Royal, trumpet; Bob Brookmeyer, Jimmy Cleveland, Jim Dahl, Frank Rehak, trombone; Gene Allen, Al Cohn, Dick Hafer, Don Lanphere, Sam Marowitz as Sam Markowitz, Zoot Sims, reeds; Nat Pierce, piano; Barry Galbraith, guitar; Milt Hinton, bass; Don Lamond, drums; plus Nat Adderley, cornet #1,4,5,8,10,12; Woody Herman, clarinet #1,4,5,8,10,12; Zoot Sims, tenor sax #1,4,5,8,10,12; Eddie Costa, vibes #1,4,5,8,10,12; Nat Pierce, piano #1,4,5,8,10,12; Barry Galbraith, guitar #1,4,5,8,10,12; Milt Hinton, bass #1,4,5,8,10,12; Don Lamond, drums #1,4,5,8,10,12.
NYC, July 31, and August 1, 1959
| 1. | Panatela | Sesac Recordings N-3101/02; Jazzland JLP 1001 |
| 2. | Lament For Linda | Sesac Recordings N-3101/02 |
| 3. | Misery, Stay Way From My Door | - |
| 4. | In A Misty Mood | - |
| 5. | Catty' Corner | - |
| 6. | The Thirteenth Instant | - |
| 7. | The Magpie | - |
| 8. | Blues For Indian Jim | - |
| 9. | The Devil And The Stoker | - |
| 10. | The Swing Machine | - |
| 11. | Summer Nights | - |
| 12. | Johnny On The Spot | - |
* Sesac Recordings N-3101/02 Woody Herman - The Fourth Herd 1959
= Jazzland JLP 17, JLP 917S - 1960
* Jazzland JLP 1001, JLP 91001 Various Artists - Jazzland: The Stars Of Jazz 1961 1961
Johnny Griffin Sextet
Blue Mitchell, trumpet #1,2,4-6; Julian Priester, trombone #1,2,4-6; Johnny Griffin, tenor sax; Wynton Kelly, piano #1,2,4-6; Sam Jones, bass; Albert Heath, drums.
Reeves Sound Studios, NYC, August, 1959
| 1. | Olive Refractions | Riverside RLP 12-304 |
| 2. | The Message | Riverside RLP 12-304; Milestone M-47054 |
| 3. | Lonely One | Riverside RLP 12-304 |
| 4. | 63rd Street Theme | Riverside RLP 12-304; Milestone M-47054 |
| 5. | Playmates | - |
| 6. | Venus And The Moon | Riverside RLP 12-304 |
* Riverside RLP 12-304, RLP 1149 Johnny Griffin - The Little Giant 1959
= Jazzland JLP 93, JLP 993 - 1966
= Original Jazz Classics OJC-136 - 1984
= Original Jazz Classics OJCCD-136-2 - 1995
* Milestone M-47054 Johnny Griffin - Little Giant 1979
Chet Baker Sextet & Quartet
Chet Baker, trumpet; Glauco Masetti, alto sax #1-6; Gianni Basso as Gianno Basso, tenor sax #1-6; Renato Sellani, piano; Franco Cerri as Franco Serri, bass; Gene Victory, drums; Giulio Libano, arranger #1-6.
Gurtler Studio, Milan, Italy, September 25, 26, and October 6, 1959
| 1. | Lady Bird | Music (It) LPM 2094; Jazzland JLP 18 |
| 2. | Cheryl Blues | - |
| 3. | Tune Up | - |
| 4. | Line For Lyons | - |
| 5. | Pent Up House | - |
| 6. | Look For The Silver Lining | - |
| 7. | Indian Summer | - |
| 8. | My Old Flame | - |
* Music (It) LPM 2094 Chet Baker Sextet & Quartet 1960
* Jazzland JLP 18, JLP 918S Chet Baker In Milan 1960
= Original Jazz Classics OJC-370, OJCCD-370-2 - 1989
Chet Baker With Fifty Italian Strings
Chet Baker, trumpet, vocal chorus #3,4,7,8,10; accompanied by string orchestra.
Gurtler Bros. Studio, Milan, Italy, September 28, and October 5, 1959
| 1. | I Should Care | Celson (It) LPQ 25.005; Jazzland JLP 21 |
| 2. | Violets For Your Furs | - |
| 3. | The Song Is You | - |
| 4. | When I Fall In Love | - |
| 5. | Goodbye | - |
| 6. | Autumn In New York | - |
| 7. | Angel Eyes | - |
| 8. | Street Of Dreams | - |
| 9. | Forgetful | - |
| 10. | Deep In A Dream | - |
* Celson (It) LPQ 25.005 Chet Baker Sings And Plays With Len Mercer And His Orchestra - Angel Eyes 1960
* Jazzland JLP 21, JLP 921S Chet Baker With Fifty Italian Strings 1960
= Original Jazz Classics OJC-492, OJCCD-492-2 - 1990
Blue Mitchell Sextet
Richard "Blue" Mitchell, trumpet; Curtis Fuller, trombone #1,2,5,6,8,9; Jimmy Heath, tenor sax #1,2,5,6,8,9; Wynton Kelly, piano; Sam Jones, bass; Philly Joe Jones, drums.
Reeves Sound Studios, NYC, September, 1959
| 1. | Minor Vamp | Riverside RLP 12-309; Milestone M-47055 |
| 2. | The Head | Riverside RLP 12-309 |
| 3. | The Way You Look Tonight | - |
| 4. | Park Avenue Petite | Riverside RLP 12-309; Original Jazz Classics OJCCD-6009-2 |
| 5. | Top Shelf | Riverside RLP 12-309; Original Jazz Classics OJC-6009 |
| 6. | Waverley Street | Riverside R-45-433, RLP 12-309; Milestone M-47055 |
| 7. | Blue Soul | Riverside R-45-433, RLP 12-309; Original Jazz Classics OJC-6009 |
| 8. | Polka Dots And Moonbeams | Riverside RLP 12-309; Milestone M-47055; Riverside RCD-6021-2 |
| 9. | Nica's Dream | Riverside RLP 12-309; Milestone M-47055 |
* Riverside RLP 12-309, RLP 1155 Blue Mitchell Sextet - Blue Soul 1959
= Jazzland JLP 90, JLP 990 - 1966
= Original Jazz Classics OJCCD-765-2 - 1992
* Milestone M-47055 Blue Mitchell - A Blue Time 1980
* Original Jazz Classics OJC-6009, OJCCD-6009-2 Blue Mitchell - Blues On My Mind: The Riverside Collection 1988
* Riverside RCD-6021-2 Blue Mitchell Plays For Lovers
* Riverside R-45-433 Blue Mitchell - Waverly Street / Blue Soul 1960
Jimmy Heath Sextet
Nat Adderley, cornet #1,2,4-7,9; Curtis Fuller, trombone #1,2,4-7,9; Jimmy Heath, tenor sax; Wynton Kelly, piano; Paul Chambers, bass; Albert Heath, drums.
Reeves Sound Studios, NYC, September, 1959
| 1. | For Minors Only | Riverside RLP 12-314; Milestone M-47025 |
| 2. | Who Needs It? | Riverside RLP 12-314 |
| 3. | Don't You Know I Care | - |
| 4. | Two Tees | - |
| 5. | The Thumper | Riverside RLP 12-314; Milestone M-47025 |
| 6. | Newkeep | Riverside RLP 12-314 |
| 7. | For All We Know | Riverside RLP 12-314; Milestone M-47025 |
| 8. | I Can Make You Love Me | Riverside RLP 12-314 |
| 9. | Nice People | - |
* Riverside RLP 12-314, RLP 1160 Jimmy Heath Sextet - The Thumper 1960
= Original Jazz Classics OJCCD-1828-2 - 1994
* Milestone M-47025 Jimmy Heath - Fast Company 1975
The Wes Montgomery Trio
Melvin Rhyne, organ; Wes Montgomery, guitar; Paul Parker, drums.
Reeves Sound Studios, NYC, October 5 and 6, 1959
| 'Round Midnight | Riverside R-45-431, RLP 12-310, RS-3039 | |
| Yesterdays | Riverside R-45-431, RLP 12-310, RS-3039; Milestone M-47057 | |
| The End Of A Love Affair | Riverside RLP 12-310; Milestone M-47057 | |
| Whisper Not | Riverside RLP 12-310 | |
| Ecaroh (as Ecorah) | Riverside RLP 12-310; Milestone M-47057 | |
| Satin Doll | Riverside RLP 12-310, RS-3036; Milestone M-47057 | |
| Missile Blues | Riverside RLP 12-310, RM 494; Milestone M-47057 | |
| Too Late Now | Riverside RLP 12-310 | |
| Jingles | Riverside RLP 12-310, RS-3036; Milestone M-47057 | |
| Satin Doll (take 5) | Original Jazz Classics OJCCD-034-2 | |
| Missile Blues (take 5) | - |
* Riverside RLP 12-310, RLP 1156 The Wes Montgomery Trio - A Dynamic New Sound 1959
= Riverside R-3014, RS-3014 Wes Montgomery Trio - 'Round Midnight 1968
= Original Jazz Classics OJC-034 The Wes Montgomery Trio - A Dynamic New Sound 1982
= Original Jazz Classics OJCCD-034-2 - 1987
* Riverside RS-3039 The Best Of Wes Montgomery
* Milestone M-47057 Wes Montgomery - Yesterdays 1980
* Riverside RS-3036 Wes Montgomery - March 6, 1925-June 15, 1968
* Riverside RM 494, RS 9494 Wes Montgomery Trio - Guitar On The Go 1967
= Original Jazz Classics OJC-489, OJCCD-489-2 - 1990
* Riverside R-45-431 Wes Montgomery - Yesterdays / 'Round Midnight 1959
The Cannonball Adderley Quintet Featuring Nat Adderley
Nat Adderley, cornet; Julian "Cannonball" Adderley, alto sax; Bobby Timmons, piano; Sam Jones, bass; Louis Hayes, drums.
The Jazz Workshop, San Francisco, CA, October 18 and 20, 1959
| This Here | Riverside R-45-432, R-33432, RLP 12-311, RLP 416; Milestone M-47039 | |
| Spontaneous Combustion | Riverside RLP 12-311; Milestone M-47039 | |
| Hi-Fly | - | |
| You Got It! | - | |
| Bohemia After Dark | Riverside RLP 12-311 | |
| Straight, No Chaser | Milestone M-47039; Original Jazz Classics OJCCD-035-2 |
* Riverside RLP 12-311, RLP 1157 The Cannonball Adderley Quintet In San Francisco 1960
= Original Jazz Classics OJC-035 - 1982
= Original Jazz Classics OJCCD-035-2 - 1989
* Riverside RLP 416, RLP 9416 Cannonball Adderley Greatest Hits 1962
* Milestone M-47039 Cannonball Adderley - Coast To Coast 1977
* Riverside R-33432 The Cannonball Adderley Quintet In San Francisco 1960
* Riverside R-45-432 Cannonball Adderley - This Here Parts 1 & 2 1960
Thelonious Monk Solo
Thelonious Monk, piano.
Fugazi Hall, San Francisco, CA, October 21 and 22, 1959
| Blue Monk | Riverside R-45-434, RLP 12-312, RM 483/484 | |
| Ruby, My Dear | Riverside RLP 12-312 | |
| Round Lights | - | |
| Everything Happens To Me | - | |
| You Took The Words Right Out Of My Heart | - | |
| Bluehawk | - | |
| Pannonica | - | |
| Remember | Riverside R-45-434, RLP 12-312 | |
| There's Danger In Your Eyes, Cherie (take 2) | Riverside RLP 12-312 | |
| Reflections | - | |
| There's Danger In Your Eyes, Cherie (take 1) | Milestone MSP-47004; Original Jazz Classics OJCCD-231-2 |
* Riverside RLP 12-312, RLP 1158 Thelonious Monk - Thelonious Alone In San Francisco 1960
= Original Jazz Classics OJC-231 - 1986
= Original Jazz Classics OJCCD-231-2 - 1987
= Milestone MSP-47004 Thelonious Monk - Pure Monk 1973
* Riverside RM 483/484, RS 9483/9484 The Thelonious Monk Story 1966
* Riverside R-45-434 Thelonious Monk - Blue Monk / Remember 1960
Bev Kelly
Bev Kelly, vocal; accompanied by Harry Edison, trumpet #2,3,8; Jerome Richardson, flute, tenor sax #1,6,7,10; Jimmy Jones, piano; Kenny Burrell, guitar; Milt Hinton, bass; Osie Johnson, drums #1,6,7,10; Johnny Cresci, drums #2,3,8; Roy Haynes, drums #4,5,9,11; Jimmy Jones, arranger.
Bell Sound Studios, NYC, October 27, 28 and 30, 1959
| 1. | My Ship | Riverside RLP 328 |
| 2. | Lost April | - |
| 3. | Lonelyville | - |
| 4. | I'm Gonna Laugh You Right Out Of My Life | - |
| 5. | Weak For The Man | - |
| 6. | Love, Look Away | - |
| 7. | Thursday's Child | - |
| 8. | Love Locked Out | - |
| 9. | Away From Me | - |
| 10. | Fool That I Am | - |
| 11. | Gloomy Sunday | - |
* Riverside RLP 328, RLP 1182 Bev Kelly - Love Locked Out 1960
= Original Jazz Classics OJCCD-1798-2 - 1992
Philly Joe Jones Showcase
Blue Mitchell, trumpet #1,2,7-9; Julian Priester, trombone #1,2,4-9; Bill Barron, tenor sax #1,2,4-9; Pepper Adams, baritone sax #1,5,7,8; Dolo Coker as Charles Coker, piano #1,4-8; Sonny Clark, piano #2,9; Jimmy Garrison, bass; Philly Joe Jones, drums, piano #3.
Reeves Sound Studios, NYC, November and December, 1959
| 1. | Battery Blues | Riverside RLP 12-313; Milestone M-47016 |
| 2. | Minor Mode | Riverside RLP 12-313 |
| 3. | Gwen | - |
| 4. | Joe's Debut | - |
| 5. | Gone | Riverside RLP 12-313; Milestone M-47016 |
| 6. | Joe's Delight | Riverside RLP 12-313 |
| 7. | Julia | - |
| 8. | I'll Never Be The Same | - |
| 9. | Interpretation | - |
* Riverside RLP 12-313, RLP 1159 Philly Joe Jones - Showcase 1960
= Original Jazz Classics OJC-484, OJCCD-484-2 - 1990
* Milestone M-47016 Art Blakey, Max Roach, Elvin Jones, Philly Joe Jones - The Big Beat 1974
Buck Clarke Quintet
Don McKenzie, vibraharp; Charles Hampton, piano, alto sax, clarinet, wooden flute; Fred Williams, bass; Roscoe Hunter, drums; Buck Clarke, bongo, conga drums.
Washington, DC, December 2 and 3, 1959
| Cool Hands | Offbeat OJ-3003 | |
| What Is This Thing Called Love | - | |
| Second Wind | - | |
| Mil-Dy | - | |
| Ed's Blues | - | |
| X-a-Dose | - | |
| Lover Man | - | |
| I'll Remember April | - | |
| Floretta | - |
* Offbeat OJ-3003 Buck Clarke Quintet - Cool Hands 1960
= Vintage Classic Series (It) VCS 019 -
Bill Evans Trio
Bill Evans, piano; Scott LaFaro, bass; Paul Motian, drums.
Reeves Sound Studios, NYC, December 28, 1959
| Come Rain Or Come Shine (take 5) | Riverside RLP 12-315, RLP 1162; Prestige P-24052 | |
| Autumn Leaves | Riverside RLP 1162 | |
| Autumn Leaves (take 9, monaural) | Riverside RLP 12-315; Milestone M-47034; Original Jazz Classics OJCCD-088-2; Riverside RCD-30678 | |
| Witchcraft | Riverside RLP 12-315, RLP 1162 | |
| When I Fall In Love | - | |
| Peri's Scope | Riverside R-45-435, RLP 12-315, RLP 1162 | |
| What Is This Thing Called Love? | - | |
| Spring Is Here | Riverside RLP 12-315, RLP 1162 | |
| Some Day My Prince Will Come | - | |
| Blue In Green (take 3) | - |
same session.
| Come Rain Or Come Shine (take 4) | Riverside RCD-30678 | |
| Blue In Green (take 1) | - | |
| Blue In Green (take 2) | Original Jazz Classics OJCCD-088-2; Riverside RCD-30678 |
* Riverside RLP 12-315 Bill Evans Trio - Portrait In Jazz 1960
* Riverside RLP 1162 Bill Evans Trio - Portrait In Jazz 1960
= Original Jazz Classics OJC-088 - 1983
= Original Jazz Classics OJCCD-088-2 - 1987
= Riverside RCD-30678 - 2008
= Milestone M-47034 Bill Evans - Spring Leaves 1976
* Prestige P-24052 Various Artists - Piano Giants Vol. I 1975
* Riverside R-45-435 Bill Evans - What Is This Thing Called Love? / Peri's Scope 1960
Henry Morgan - Isobel Robins With The Mickey Leonard Quartet
Henry Morgan, humorist; Isobel Robins, actress; with Mickey Leonard, piano; Mundell Lowe, guitar; Joe Benjamin, bass; Steve Little, drums.
released 1959
| Morgan-Tone System | Offbeat OJ-3004 | |
| College Medley | - | |
| Ev'rytime | - | |
| New Cars | - | |
| Three Loves | - | |
| (Commercial) | - | |
| Because We're Kids | - | |
| (Cats) | - | |
| Hi-Fi | - | |
| Look But Do Not Touch Cha-Cha | - | |
| Russian Monologue | - | |
| French Monologue | - | |
| Married Man | - | |
| Poetry And Jazz | - | |
| That Kind Of A Day | - |
* Offbeat OJ-3004 Henry Morgan, Isobel Robins - The Saint And The Sinner 1959