ECM Records Catalog: 1500 series
ECM 1500 series (Compact Disc)
ECM 1500 Jan Garbarek Group - Twelve Moons 1993
Jan Garbarek, sax; Rainer Bruninghaus, keyboards; Eberhard Weber, bass; Manu Katche, drums; Marilyn Mazur, percussion; Mari Boine, Agnes Buen Garnas, vocal.
Rainbow Studio, Oslo, Norway, September, 1992
| Twelve Moons: Part One: Winter-Summer / Part Two: Summer-Winter | |
| Psalm | |
| Brother Wind March | |
| There Were Swallows... | |
| The Tall Tear Trees | |
| Arietta | |
| Gautes-Margjit | |
| Darvanan | |
| Huhai | |
| Witchi-Tai-To |
ECM 1501 NS Bach - 3 Sonaten Fur Viola Da Gamba Und Cembalo -- Kim Kashkashian, Keith Jarrett 1994
Kim Kashkashian, viola; Keith Jarrett, cembalo; Johann Sebastian Bach, composer.
Cavelight Studio, Oxford, NJ, September, 1991
| Sonate (BWV 1027) G-Dur, G major, sol majeur: Adagio | |
| Sonate (BWV 1027) G-Dur, G major, sol majeur: Allegro Ma Non Tanto | |
| Sonate (BWV 1027) G-Dur, G major, sol majeur: Andante | |
| Sonate (BWV 1027) G-Dur, G major, sol majeur: Allegro Moderato | |
| Sonate (BWV 1028) D-Dur, D major, re majeur: Adagio | |
| Sonate (BWV 1028) D-Dur, D major, re majeur: Allegro | |
| Sonate (BWV 1028) D-Dur, D major, re majeur: Andante | |
| Sonate (BWV 1028) D-Dur, D major, re majeur: Allegro | |
| Sonate (BWV 1029) g-moll, G minor, sol mineur: Vivace | |
| Sonate (BWV 1029) g-moll, G minor, sol mineur: Adagio | |
| Sonate (BWV 1029) g-moll, G minor, sol mineur: Allegro |
ECM 1502 John Abercrombie, Marc Johnson, Peter Erskine w/ John Surman - November 1993
John Abercrombie, guitar; Marc Johnson, bass; Peter Erskine, drums; with John Surman, baritone, soprano sax, bass clarinet.
Rainbow Studio, Oslo, Norway, November, 1992
| The Cat's Back | |
| J.S. | |
| Right Brain Patrol | |
| Prelude | |
| November | |
| Rise And Fall | |
| John's Waltz | |
| Ogeda | |
| Tuesday Afternoon | |
| To Be | |
| Come Rain Or Come Shine | |
| Big Music |
ECM 1503 Ketil Bjornstad - Water Stories 1993
Ketil Bjornstad, piano; Terje Rypdal, guitar; Bjorn Kjellemyr, bass; Jon Christensen, drums; Per Hillestad, drums #6-12.
Rainbow Studio, Oslo, Norway, January, 1993
| 1. | Part One: Blue Ice (The Glacier): Glacial Reconstruction |
| 2. | Part One: Blue Ice (The Glacier): Levels And Degrees |
| 3. | Part One: Blue Ice (The Glacier): Surface Movements |
| 4. | Part One: Blue Ice (The Glacier): The View I |
| 5. | Part One: Blue Ice (The Glacier): Between Memory And Presentiment |
| 6. | Part Two: Approaching The Sea: Ten Thousand Years Later |
| 7. | Part Two: Approaching The Sea: Waterfall |
| 8. | Part Two: Approaching The Sea: Flotation And Surroundings |
| 9. | Part Two: Approaching The Sea: Riverscape |
| 10. | Part Two: Approaching The Sea: Approaching The Sea |
| 11. | Part Two: Approaching The Sea: The View II |
| 12. | Part Two: Approaching The Sea: History |
ECM 1504 NS The Hilliard Ensemble - Codex Specialnik 1995
The Hilliard Ensemble: David James, countertenor; Rogers Covey-Crump, John Potter, tenor; Gordon Jones, baritone; anonymous, composer #1-9,14,15,19-24; Petrus De Grudencz, composer #10-13; Johannes Touront, composer #16; Gontrasek, composer #17; Alexander Agricola, composer #18; Josquin Desprez, composer #25.
Stadtkirche Gonningen, Germany, January, 1993
| 1. | Exordium Quadruplate - Nate Dei - Concrepet - Verbum Caro |
| 2. | Tria Sunt Munera - Videntes Stellam - Reges Tharsis |
| 3. | In Natali Domini |
| 4. | Sophia Nascitur - O Quam Pulchra - Magi Videntes |
| 5. | Congaudemus Pariter - En Lux Immensa |
| 6. | Magnum Miraculum |
| 7. | Nobis Est Natus |
| 8. | Salve Mater Gracie |
| 9. | Christus Iam Surrexit - Terra Tremuit - Angelus Domini - Surrexit Christus |
| 10. | Presulem Ephebeatum |
| 11. | Paraneuma Eructemus |
| 12. | Presidiorum Erogatrix |
| 13. | Pneuma Eucaristiarum - Veni Vere Illustrator - Dator Eya - Paraclito Tripudia |
| 14. | Terrigenarum Plasmator |
| 15. | Pulcherrima Rosa |
| 16. | Chorus Iste |
| 17. | Bud' Buohu Chvala Cest |
| 18. | O Virens Virginum |
| 19. | Missa Petite Camusette - Kyrie |
| 20. | Missa Petite Camusette - Gloria |
| 21. | Tota Pulchra Es |
| 22. | Missa Petite Camusette - Credo |
| 23. | Ave Pura Tu Puella |
| 24. | Missa Petite Camusette - Sanctus |
| 25. | Ave Maria |
ECM 1505 NS Arvo Part - Te Deum -- Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tonu Kaljuste 1993
Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tonu Kaljuste, conductor; Arvo Part, composer.
Lohjan Kirkko, Finland, January, 1993
| Te Deum | |
| Silouans Song | |
| Magnificat | |
| Berliner Messe: Kyrie | |
| Berliner Messe: Gloria | |
| Berliner Messe: Erster Alleluiavers | |
| Berliner Messe: Zweiter Alleluiavers | |
| Berliner Messe: Veni Sancte Spiritus | |
| Berliner Messe: Credo | |
| Berliner Messe: Sanctus | |
| Berliner Messe: Agnus Dei |
ECM 1506 NS Kim Kashkashian, Stuttgarter Kammerorchester, Dennis Russell Davies - Lachrymae -- Hindemith / Britten / Penderecki 1993
Kim Kashkashian, viola; Stuttgarter Kammerorchester, Dennis Russell Davies, conductor; Paul Hindemith, composer.
December, 1992
| Trauermusik: Langsam / Ruhig Bewegt / Lebhaft / Sehr Langsam |
Kim Kashkashian, viola; Stuttgarter Kammerorchester, Dennis Russell Davies, conductor; Benjamin Britten, composer.
| Lachrymae Op. 48a (Reflections On A Song By John Dowland): Lento / Allegretto, Andante Molto / Tranquillo / Allegro Con Moto / Largamente / Appassionato / Alla Valse Moderato / Allegro Marcia / Lento / L'Istesso Tempo |
Kim Kashkashian, viola; Stuttgarter Kammerorchester, Dennis Russell Davies, conductor; Krzysztof Penderecki, composer.
| Konzert Fur Viola Und Kammerorchester |
ECM 1507 Wadada Leo Smith - Kulture Jazz 1993
Wadada Leo Smith, trumpet, flugelhorn, koto, mbira, harmonica, bamboo notch flute, percussion, vocal.
Hardstudios, Winterthur, Switzerland, October, 1992
| Don't You Remember | |
| Kulture Of Jazz | |
| Song Of Humanity (Kanto Pri Homaro) | |
| Fire-Sticks, Chrysanthemums And Moonlight (For Harumi) | |
| Seven Rings Of Light In The Hola Trinity | |
| Louis Armstrong Counter-Pointing | |
| Albert Ayler In A Spiritual Light | |
| The Kemet Omega Reigns (For Billie Holiday) | |
| Love Supreme (For John Coltrane) | |
| Mississippi Delta Sunrise (For Bobbie) | |
| Mother: Sarah Brown-Smith-Wallace (1920-92) | |
| The Healer's Voyage On The Sacred River (For Ayl Kwel Armah) | |
| Uprising (For Jessie And Yvonne) |
ECM 1508 NS Gyorgy Kurtag / Robert Schumann - Hommage A R. Sch. -- Kim Kashkashian, Robert Levin, Eduard Brunner 1995
Kim Kashkashian, viola; Gyorgy Kurtag, composer.
Kammermusiksaal Beethovenhaus, Bonn, Germany, August, 1992, and May and September, 1994
| Neun Stucke Fur Viola Solo: Szotongos Es Vigasztalos H.J.-nek - Molto Sostenuto | |
| Neun Stucke Fur Viola Solo: Kromatikus Feleselos - Agitato | |
| Neun Stucke Fur Viola Solo: In Memoriam Aczel Gyorgy - Largo Desolato | |
| Neun Stucke Fur Viola Solo: Elakado Szavak (Hommage A John Cage) - Molto Moderato | |
| Neun Stucke Fur Viola Solo: Doloroso - Lento, Parlando | |
| Neun Stucke Fur Viola Solo: H.J. - Nota - Largamente | |
| Neun Stucke Fur Viola Solo: Level Veranak - Szeliden, Csendesen | |
| Neun Stucke Fur Viola Solo: Vagdalkozos - Vivo, Feroce | |
| Neun Stucke Fur Viola Solo: In Memoriam Tamas Blum - Calmo, Sereno |
same session.
| Jelek Op. 5: Agitato | |
| Jelek Op. 5: Giusto | |
| Jelek Op. 5: Lento | |
| Jelek Op. 5: Vivo, Feroce | |
| Jelek Op. 5: Adagio | |
| Jelek Op. 5: Con Slancio, Risoluto |
Eduard Brunner, clarinet; Kim Kashkashian, viola; Robert Levin, piano; Gyorgy Kurtag, composer.
| Hommage A R. Sch. Op. 15d: (Merkwurdige Pirouetten Des Kapellmeisters Johannes Kreisler) - Vivo | |
| Hommage A R. Sch. Op. 15d: (E.: Der Begrenzte Kreis...) - Molto Semplice, Piano E Legato | |
| Hommage A R. Sch. Op. 15d: (...Und Wieder Zuckt Es Schmerzlich F. Um Die Lippen...) - Feroce, Agitato | |
| Hommage A R. Sch. Op. 15d: (Felho Valek, Mar Sut A Nap...) (Toredek - Toredek) - Calmo, Scorrevole | |
| Hommage A R. Sch. Op. 15d: In Der Nacht - Presto | |
| Hommage A R. Sch. Op. 15d: Abschied (Meister Raro Entdeckt Guillaume De Machaut) - Adagio, Poco Andante |
Kim Kashkashian, viola; Robert Levin, piano; Robert Schumann, composer.
| Marchenbilder Op. 113: Nicht Schnell | |
| Marchenbilder Op. 113: Lebhaft | |
| Marchenbilder Op. 113: Rasch | |
| Marchenbilder Op. 113: Langsam, Mit Melancholischem Ausdruck |
Eduard Brunner, clarinet; Robert Levin, piano; Robert Schumann, composer.
| Fantasiestucke Op. 73: Zart Und Mit Ausdruck | |
| Fantasiestucke Op. 73: Lebhaft, Leicht | |
| Fantasiestucke Op. 73: Rasch Und Mit Feuer |
Eduard Brunner, clarinet; Kim Kashkashian, viola; Robert Levin, piano; Robert Schumann, composer.
| Marchenerzahlungen Op. 132: Lebhaft, Nicht Zu Schnell | |
| Marchenerzahlungen Op. 132: Lebhaft Und Sehr Markiert | |
| Marchenerzahlungen Op. 132: Ruhiges Tempo, Mit Zartem Ausdruck |
ECM 1509 Egberto Gismonti Group - Musica De Sobrevivencia 1993
Jaques Morelenbaum, cello, bottle; Egberto Gismonti, piano, guitar, flute; Nando Carneiro, synthesizer, guitar, caxixi; Zeca Assumpcao, bass, rainwood.
Rainbow Studio, Oslo, Norway, April, 1993
| Carmen | |
| Bianca | |
| Lundu #2 | |
| Forro | |
| Alegrinho #2 | |
| Natura, Festa Do Interior |
ECM 1510 NS Giya Kancheli - Abii Ne Viderem -- Kim Kashkashian, The Hilliard Ensemble, Dennis Russell Davies, Stuttgarter Kammerorchester 1995
Natalia Pschenitschnikova, alto flute; Vasiko Tevdorashvili, voice; Stuttgarter Kammerorchester, Dennis Russell Davies, conductor; Giya Kancheli, composer.
April, 1994
| Morning Prayers (For Chamber Orchestra, Voice And Alto Flute) |
Kim Kashkashian, viola; Stuttgarter Kammerorchester, Dennis Russell Davies, conductor; Giya Kancheli, composer.
| Abii Ne Viderem (For String Orchestra And Viola) |
The Hilliard Ensemble: David Gould, David James, countertenor; Rogers Covey-Crump, John Potter, tenor; Stuttgarter Kammerorchester, Dennis Russell Davies, conductor; Giya Kancheli, composer.
| Evening Prayers (For Chamber Orchestra And Voices) |
ECM 1511 John Abercrombie Trio - Speak Of The Devil 1994
Dan Wall, Hammond B-3 organ; John Abercrombie, guitar; Adam Nussbaum, drums.
Rainbow Studio, Oslo, Norway, July, 1993
| Angel Food | |
| Now And Again | |
| Mahat | |
| Chorale | |
| Farewell | |
| BT-U | |
| Early To Bed | |
| Dreamland | |
| Hell's Gate |
ECM 1512 NS William Byrd - Motets And Mass For Four Voices -- The Theatre Of Voices, Paul Hillier 1994
The Theatre Of Voices: Judith Nelson, soprano; Drew Minter, countertenor; Paul Elliot, tenor; Paul Hillier, baritone, artistic director; Christopher Bowers-Broadbent, organ #8,10,12,15,17; Thomas Tallis, composer #1; William Byrd, composer #2-16; John Taverner, composer #17; Richard Edwards, composer #18; John Sheppard, composer #19.
The Cathedral Of Transfiguration, Toronto, Canada, February, 1992
| 1. | O Ye Tender Babes |
| 2. | Motets: Propers For The Feast Of Corpus Christi: Introit: Cibavit Eos |
| 3. | Motets: Propers For The Feast Of Corpus Christi: Gradual & Alleluia: Oculi Omnium |
| 4. | Motets: Propers For The Feast Of Corpus Christi: Offertory: Sacerdotes Domini |
| 5. | Motets: Propers For The Feast Of Corpus Christi: Communion: Quotiescunque Manducabitis |
| 6. | Mass For Four Voices: Kyrie |
| 7. | Mass For Four Voices: Gloria |
| 8. | Gloria Tibi Trinitas |
| 9. | Mass For Four Voices: Credo |
| 10. | Clarifica Me Pater I |
| 11. | O Sacrum Convivium |
| 12. | Clarifica Me Pater II |
| 13. | Mass For Four Voices: Sanctus |
| 14. | Mass For Four Voices: Benedictus |
| 15. | Clarifica Me Pater III |
| 16. | Mass For Four Voices: Agnus Dei |
| 17. | In Nomine |
| 18. | In Going To My Naked Bed |
| 19. | Vaine, Vaine, Vaine |
ECM 1513/14 NS J.S. Bach - The French Suites -- Keith Jarrett 1993
Keith Jarrett, harpsichord; Johann Sebastian Bach, composer.
Cavelight Studio, Oxford, NJ, September, 1991
| Suite No. 1, BWV 812 (D Minor): Allemande | |
| Suite No. 1, BWV 812 (D Minor): Courante | |
| Suite No. 1, BWV 812 (D Minor): Sarabande | |
| Suite No. 1, BWV 812 (D Minor): Menuet I | |
| Suite No. 1, BWV 812 (D Minor): Menuet II | |
| Suite No. 1, BWV 812 (D Minor): Gigue | |
| Suite No. 2, BWV 813 (C Minor): Allemande | |
| Suite No. 2, BWV 813 (C Minor): Courante | |
| Suite No. 2, BWV 813 (C Minor): Sarabande | |
| Suite No. 2, BWV 813 (C Minor): Air | |
| Suite No. 2, BWV 813 (C Minor): Menuet | |
| Suite No. 2, BWV 813 (C Minor): Gigue | |
| Suite No. 3, BWV 814 (B Minor): Allemande | |
| Suite No. 3, BWV 814 (B Minor): Courante | |
| Suite No. 3, BWV 814 (B Minor): Sarabande | |
| Suite No. 3, BWV 814 (B Minor): Anglaise | |
| Suite No. 3, BWV 814 (B Minor): Menuet | |
| Suite No. 3, BWV 814 (B Minor): Trio, Menuet Da Capo | |
| Suite No. 3, BWV 814 (B Minor): Gigue |
same session.
| Suite No. 4, BWV 815 (E-Flat Major): Allemande | |
| Suite No. 4, BWV 815 (E-Flat Major): Courante | |
| Suite No. 4, BWV 815 (E-Flat Major): Sarabande | |
| Suite No. 4, BWV 815 (E-Flat Major): Gavotte | |
| Suite No. 4, BWV 815 (E-Flat Major): Menuet | |
| Suite No. 4, BWV 815 (E-Flat Major): Air | |
| Suite No. 4, BWV 815 (E-Flat Major): Gigue | |
| Suite No. 5, BWV 816 (G Major): Allemande | |
| Suite No. 5, BWV 816 (G Major): Courante | |
| Suite No. 5, BWV 816 (G Major): Sarabande | |
| Suite No. 5, BWV 816 (G Major): Gavotte | |
| Suite No. 5, BWV 816 (G Major): Bourree | |
| Suite No. 5, BWV 816 (G Major): Loure | |
| Suite No. 5, BWV 816 (G Major): Gigue | |
| Suite No. 6, BWV 817 (E Major): Allemande | |
| Suite No. 6, BWV 817 (E Major): Courante | |
| Suite No. 6, BWV 817 (E Major): Sarabande | |
| Suite No. 6, BWV 817 (E Major): Gavotte | |
| Suite No. 6, BWV 817 (E Major): Polonaise | |
| Suite No. 6, BWV 817 (E Major): Bourree | |
| Suite No. 6, BWV 817 (E Major): Menuet | |
| Suite No. 6, BWV 817 (E Major): Gigue |
ECM 1515 Jan Garbarek, Anouar Brahem, Shaukat Hussain - Madar 1994
Jan Garbarek, tenor, soprano sax; Anouar Brahem, oud; Ustad Shaukat Hussain, tabla.
Rainbow Studio, Oslo, Norway, August, 1992
| Sull Lull | |
| Madar | |
| Sebika | |
| Bahia | |
| Ramy | |
| Jaw | |
| Joron | |
| Qaws | |
| Epilogue |
ECM 1516 Bobo Stenson, Anders Jormin, Jon Christensen - Reflections 1996
Bobo Stenson, piano; Anders Jormin, double bass; Jon Christensen, drums.
Rainbow Studio, Oslo, Norway, May, 1993
| The Enlightener | |
| My Man's Gone Now | |
| NOT | |
| Dorrmattan | |
| Q | |
| Reflections In D | |
| 12 Tones Old | |
| Mindiatyr |
ECM 1517 Jon Balke w/ Magnetic North Orchestra - Further 1994
Per Jorgensen, trumpet, vocal; Jens Petter Antonsen, lead trumpet; Morten Halle, alto sax; Tore Brunborg, tenor, soprano sax; Gertrud Okland, violin; Trond Villa, viola; Jonas Franke-Blom, cello; Jon Balke, piano, keyboards; Anders Jormin, bass; Audun Kleive, drums; Marilyn Mazur, percussion.
Rainbow Studio, Oslo, Norway, June, 1993
| Departure | |
| Step One | |
| Horizontal Song | |
| Flying Thing | |
| Shaded Place | |
| Taraf | |
| Moving Carpet | |
| Eastern Front | |
| Changing Song | |
| Wooden Voices | |
| Arrival |
ECM 1518 Eberhard Weber - Pendulum 1993
Eberhard Weber, bass.
Munich, Germany, spring 1993
| Bird Out Of Cage | |
| Notes After An Evening | |
| Delirium | |
| Children's Song No. 1 | |
| Street Scenes | |
| Silent For A While | |
| Pendulum | |
| Unfinished Self-Portrait | |
| Closing Scene |
ECM 1519 David Darling - Dark Wood 1995
David Darling, cello.
Rainbow Studio, Oslo, Norway, July, 1993
| Darkwood IV: Dawn | |
| Darkwood IV: In Motion | |
| Darkwood IV: Journey | |
| Darkwood V: Light | |
| Darkwood V: Earth | |
| Darkwood V: Passage | |
| Darkwood VI: Beginning | |
| Darkwood VI: Up Side Down | |
| Darkwood VI: Searching | |
| Darkwood VI: Medieval Dance | |
| Darkwood VII: The Picture | |
| Darkwood VII: Returning | |
| Darkwood VII: New Morning |
ECM 1520/21 NS Patrick Demenga, Thomas Demenga - 12 Hommages A Paul Sacher Pour Violoncelle 1995
Patrick Demenga, cello; Alberto Ginastera, composer.
Kirche Blumenstein, Switzerland, June, 1993
| Punena No. 2, Op. 45: Harawi | |
| Punena No. 2, Op. 45: Wayno Karnavalito |
Patrick Demenga, cello; Wolfgang Fortner, composer.
| Zum Spielen Fur Den 70. Geburtstag - Thema Und Variationen Fur Violoncello Solo |
Patrick Demenga, cello; Hans Werner Henze, composer.
| Capriccio |
Patrick Demenga, cello; Conrad Beck, composer.
| Fur Paul Sacher - Drei Epigramme Fur Violoncello Solo: I. Moderato | |
| Fur Paul Sacher - Drei Epigramme Fur Violoncello Solo: II. Tranquillo | |
| Fur Paul Sacher - Drei Epigramme Fur Violoncello Solo: III. Vivo |
Patrick Demenga, cello; Henri Dutilleux, composer.
| 3 Strophes Sur Le Nom De Sacher: I. Un Poco Indeciso | |
| 3 Strophes Sur Le Nom De Sacher: II. Andante Sonstenuto | |
| 3 Strophes Sur Le Nom De Sacher: III. Vivace |
Thomas Demenga, cello; Witold Lutoslawski, composer.
| Sacher-Variationen |
Thomas Demenga, cello; Luciano Berio, composer.
| Les Mots Sont Alles |
Thomas Demenga, cello; Cristobal Halffter, composer.
| Variationen Uber Das Thema eSACHERe |
Thomas Demenga, cello; Benjamin Britten, composer.
| Tema <Sacher> |
Thomas Demenga, cello; Klaus Huber, composer.
| Transpositio Ad Infinitum Fur Ein Virtuoses Solocello |
Thomas Demenga, cello; Heinz Holliger, composer.
| Chaconne Fur Violoncello Solo |
Thomas Demenga, cello; and Beat Feigenwinter, Michael Keller, Barbara Lichter, Anna Loudos, Francoise Schiltknecht, Pierpaolo Toso, cello; Jurg Wyttenbach, conductor; Pierre Boulez, composer.
| Messagesquisse Pour 7 Violoncelles |
ECM 1522 Charles Lloyd - The Call 1993
Charles Lloyd, tenor sax; Bobo Stenson, piano; Anders Jormin, bass; Billy Hart, drums.
Rainbow Studio, Oslo, Norway, July, 1993
| Nocturne | |
| Song | |
| Dwija | |
| Glimpse | |
| Imke | |
| Amarma | |
| Figure In Blue, Memories Of Duke | |
| The Blessing | |
| Brother On The Rooftop |
** part of Quartets, ECM (G) ECM 2316-20 in 2013.
ECM 1523 NS Federico Mompou - Musica Callada -- Herbert Henck 1995
Herbert Henck, piano; Federico Mompou, composer.
Festeburgkirche, Frankfurt/Main, Germany, August, 1993
| Book 1: I Angelico | |
| Book 1: II Lento | |
| Book 1: III Placide | |
| Book 1: IV Afflitto E Penoso | |
| Book 1: V ((M.M.)quarter note= 54) | |
| Book 1: VI Lento | |
| Book 1: VII Lento | |
| Book 1: VIII Semplice | |
| Book 1: IX Lento | |
| Book 2: X Lento - Cantabile | |
| Book 2: XI Allegretto | |
| Book 2: XII Lento | |
| Book 2: XIII Tranquilo - Tres Calme | |
| Book 2: XIV Severo - Serieux | |
| Book 2: XV Lento - Plaintif | |
| Book 2: XVI Calme | |
| Book 3: XVII Lento | |
| Book 3: XVIII Luminoso | |
| Book 3: IXX Tranquilo | |
| Book 3: XX Calme | |
| Book 3: XXI Lento | |
| Book 4: XXII Molto Lento E Tranquilo | |
| Book 4: XXIII Calme, Avec Clarte | |
| Book 4: XXIV Moderato | |
| Book 4: XXV ((M.M.)quarter note= 100) | |
| Book 4: XXVI Lento | |
| Book 4: XXVII Lento Molto | |
| Book 4: XXVIII Lento |
ECM 1524 Sidsel Endresen - Exile 1994
Nils Petter Molvaer, trumpet; David Darling, cello; Django Bates, piano, tenor horn; Jens Bugge Wesseltoft, keyboards; Jon Christensen, drums, percussion; Sidsel Endresen, voice.
Rainbow Studio, Oslo, Norway, August, 1993
| Here The Moon | |
| Quest | |
| Stages I, II, III | |
| Hunger | |
| Theme I | |
| Waiting Train | |
| The Dreaming | |
| Dust | |
| Variation III | |
| Theme II | |
| Exile |
ECM 1525 NS Jan Garbarek, The Hilliard Ensemble - Officium 1994
Jan Garbarek, soprano, tenor sax; + The Hilliard Ensemble: David James, countertenor; Rogers Covey-Crump, John Potter, tenor; Gordon Jones, baritone.
Propstei St. Gerold, Austria, September, 1993
| Parce Mihi Domine | |
| Primo Tempore | |
| Sanctus | |
| Regnantem Sempiterna | |
| O Salutaris Hostia | |
| Procedentem Sponsum | |
| Pulcherrima Rosa | |
| Parce Mihi Domine | |
| Beata Viscera | |
| De Spineto Nata Rosa | |
| Credo | |
| Ave Maris Stella | |
| Virgo Flagellatur | |
| Oratio Ieremiae | |
| Parce Mihi Domine |
ECM 1526 Louis Sclavis, Dominique Pifarely, Marc Ducret, Bruno Chevillon - Acoustic Quartet 1994
Louis Sclavis, clarinet, bass clarinet; Dominique Pifarely, violin; Marc Ducret, 6 & 12-string guitar; Bruno Chevillon, double bass.
Rainbow Studio, Oslo, Norway, September, 1993
| Sensible | |
| Bafouee | |
| Abrupto | |
| Elke | |
| Hop! | |
| Seconde | |
| Beata | |
| Rhinoceros |
ECM 1527 Steve Tibbetts - The Fall Of Us All 1994
Mike Olson, synthesizer, Linn; Steve Tibbetts, guitar, percussion, disks; Eric Anderson, Jim Anton, bass; Marc Anderson, congas, steel drums, percussion; Marcus Wise, tabla; Claudia Schmidt, Rhea Valentine, voice.
St. Paul, MN and Boudhanath, Kathmandu, Nepal?, 1990-1993
| Dzogchen Punks | |
| Full Moon Dogs | |
| Nyemma | |
| Formless | |
| Roam And Spy | |
| Hellbound Train | |
| All For Nothing | |
| Fade Away | |
| Drinking Lesson | |
| Burnt Offering | |
| Travel Alone |
ECM 1528 John Surman - A Biography Of The Rev. Absalom Dawe 1995
John Surman, alto, bass clarinet, soprano, baritone sax, keyboards.
Rainbow Studio, Oslo, Norway, October, 1994
| First Light | |
| Countless Journeys | |
| A Monastic Calling | |
| Druid's Circle | |
| 'Twas But Piety | |
| Three Aspects | |
| The Long Narrow Road | |
| Wayfarer | |
| The Far Corners | |
| An Image |
ECM 1529 Krakatau - Matinale 1994
Jone Takamaki, tenor, alto, soprano, bass sax, krakaphone, reed flute, wooden flute, bell; Raoul Bjorkenheim, guitar, bass recorder, gong; Uffe Krokfors, double bass, percussion; Ippe Katka, drums, gongs, percussion.
Hardstudios, Winterthur, Switzerland, November, 1993
| Matinale | |
| Unseen Sea Scene | |
| Jai-Ping | |
| Rural | |
| For Bernard Moore | |
| Sarajevo | |
| Suhka | |
| Raging Thirst |
ECM 1530 NS Handel - Suites For Keyboard -- Keith Jarrett 1995
Keith Jarrett, piano; Georg Friedrich Handel, composer.
State University Of New York, Purchase, NY, September, 1993
| Suite HWV 452 (G Minor): Allemande | |
| Suite HWV 452 (G Minor): Courante | |
| Suite HWV 452 (G Minor): Sarabande | |
| Suite HWV 452 (G Minor): Gigue | |
| Suite HWV 447 (D Minor): Allemande | |
| Suite HWV 447 (D Minor): Courante | |
| Suite HWV 447 (D Minor): Sarabande | |
| Suite HWV 447 (D Minor): Gigue | |
| Suites II / No. 7 HWV 440 (B-Flat Major): Allemande | |
| Suites II / No. 7 HWV 440 (B-Flat Major): Courante | |
| Suites II / No. 7 HWV 440 (B-Flat Major): Sarabande | |
| Suites II / No. 7 HWV 440 (B-Flat Major): Gigue | |
| Suites I / No. 8 HWV 433 (F Minor): Prelude - Fuga | |
| Suites I / No. 8 HWV 433 (F Minor): Allemande | |
| Suites I / No. 8 HWV 433 (F Minor): Courante | |
| Suites I / No. 8 HWV 433 (F Minor): Gigue | |
| Suites I / No. 2 HWV 427 (F Major): Adagio | |
| Suites I / No. 2 HWV 427 (F Major): Allegro | |
| Suites I / No. 2 HWV 427 (F Major): Adagio | |
| - | |
| Suites I / No. 4 HWV 429 (E Minor): Fuga | |
| Suites I / No. 4 HWV 429 (E Minor): Allemande | |
| Suites I / No. 4 HWV 429 (E Minor): Courante | |
| Suites I / No. 4 HWV 429 (E Minor): Sarabande | |
| Suites I / No. 4 HWV 429 (E Minor): Gigue | |
| Suites I / No. 1 HWV 426 (A Major): Prelude | |
| Suites I / No. 1 HWV 426 (A Major): Allemande | |
| Suites I / No. 1 HWV 426 (A Major): Courante | |
| Suites I / No. 1 HWV 426 (A Major): Gigue |
ECM 1531 Keith Jarrett, Gary Peacock, Paul Motian - At The Deer Head Inn 1994
Keith Jarrett, piano; Gary Peacock, bass; Paul Motian, drums.
Deer Head Inn, Allentown, PA, September 16, 1992
| Solar | |
| Basin Street Blues | |
| Chandra | |
| You Don't Know What Love Is | |
| You And The Night And The Music | |
| Bye Bye Blackbird | |
| It's Easy To Remember |
ECM 1532 Peter Erskine, Palle Danielsson, John Taylor - Time Being 1994
John Taylor, piano; Palle Danielsson, double bass; Peter Erskine, drums.
Rainbow Studio, Oslo, Norway, November, 1993
| Terraces | |
| For The Time Being | |
| If Only I Had Known | |
| Evansong | |
| Page 172 | |
| Liten Visa Till Karin | |
| Bulgaria | |
| Ambleside | |
| Phrase One | |
| Palle's Headache | |
| Pieds-En-L'air |
** part of Peter Erskine Trio, John Taylor, Palle Danielsson - As It Was, ECM (G) ECM 2490-93 in 2016.
ECM 1533 NS Gavin Bryars - Vita Nova 1994
David James, countertenor; String Trio: Annemarie Dreyer, violin; Ulrike Lachner, viola; Rebecca Firth, cello; Gavin Bryars, composer.
Propstei St. Gerold, Austria;
CTS Studios, London, England, September, 1993
| Incipit Vita Nova |
The Hilliard Ensemble: David James, countertenor; Rogers Covey-Crump, John Potter, tenor; Gordon Jones, baritone; Gavin Bryars, composer.
| Glorious Hill |
David James, countertenor; Large Chamber Ensemble: Richard Martin, flugelhorn; David Whitson, trombone; Henrik Sienkiweicz, French horn; Glen Martin, bass clarinet; Tim Payne, alto sax; Christopher Swithinbank, piano; Gruffydd Owen, electric keyboards; Alan Taylor, double bass; Keith Bartlett, Christopher Brannick, percussion; Roger Heaton, conductor; Gavin Bryars, composer.
| Four Elements |
Gavin Bryars Ensemble: Jamie McCarthy, recorder; Roger Heaton, clarinet; Alexander Balanescu, violin; Martin Allen, vibes; John White, piano; Gavin Bryars, double bass; Gavin Bryars, composer.
| Sub Rosa (Dedicated To Bill Frisell) |
ECM 1534 John Surman Quartet - Stranger Than Fiction 1994
John Surman, soprano, baritone sax, alto, bass clarinet; John Taylor, piano; Chris Laurence, bass; John Marshall, drums.
Rainbow Studio, Oslo, Norway, December, 1993
| Canticle With Responce | |
| A Distant Spring | |
| Tess | |
| Promising Horizons | |
| Across The Bridge | |
| Moonshine Dancer | |
| Running Sands | |
| Triptych: Hidden Orchid / Synapsis / Paratactic Paths |
ECM 1535 NS Giya Kancheli - Exil 1995
Natalia Pschenitschnikova, alto, bass flute; Catrin Demenga, violin; Ruth Killius, viola; Rebecca Firth, cello; Christian Sutter, contrabass; Maacha Deubner, soprano; Paul Celan, Hans Sahl, poems; Wladimir Jurowski, conductor; Giya Kancheli, composer.
Propstei St. Gerold, Austria, May, 1994
| Exil (Fur Sopran, Instrumente Und Tonband): I Psalm 23 | |
| Exil (Fur Sopran, Instrumente Und Tonband): II Einmal | |
| Exil (Fur Sopran, Instrumente Und Tonband): III Zahle Die Mandeln | |
| Exil (Fur Sopran, Instrumente Und Tonband): IV Psalm | |
| Exil (Fur Sopran, Instrumente Und Tonband): V Exil |
ECM 1536 Lena Willemark, Ale Moller - Nordan 1994
Jonas Knutsson, sax, percussion; Per Gudmundson, fiddle, Swedish bagpipes; Mats Eden, drone fiddle, kantele; Ale Moller, mandola, natural flute, folk harp, shawm, cows horn, hammered dulcimer, accordion; Palle Danielsson, double bass; Tina Johansson, Bjorn Tollin, percussion; Lena Willemark, vocal, fiddle.
Rainbow Studio, Oslo, Norway, December, 1993
| Trilo | |
| Kom Helge Ande | |
| Gullharpan | |
| Mannelig | |
| Polska Efter Roligs Per | |
| Hornlat | |
| Sven I Rosengard | |
| S:t Goran Och Draken | |
| Tacker Herranom/Mats Hansu Polskan | |
| Knut Hauling | |
| Polska Efter Jones Olle | |
| Svanegangare/Sven Svanehvit | |
| Jemsken | |
| Batsman/Turklaten | |
| Vallsvit | |
| Dromspar - Efterspel |
ECM 1537 Paul Bley, Evan Parker, Barre Phillips - Time Will Tell 1995
Evan Parker, tenor, soprano sax; Paul Bley, piano; Barre Phillips, bass.
Rainbow Studio, Oslo, Norway, January, 1994
| Poetic Justice | |
| Time Will Tell | |
| Above The Tree Line | |
| You Will, Oscar, You Will | |
| Sprung | |
| No Questions | |
| Vine Laces | |
| Clawback | |
| Marsh Tides | |
| Instance | |
| Burlesque |
ECM 1538 Azimuth - How It Was Then...Never Again 1995
Kenny Wheeler, trumpet, flugelhorn; John Taylor, piano; Norma Winstone, voice.
Rainbow Studio, Oslo, Norway, April, 1994
| How It Was Then | |
| Looking On | |
| Whirlpool | |
| Full Circle | |
| How Deep Is The Ocean | |
| Stango | |
| Mindiatyr | |
| Wintersweet |
ECM 1539 NS Dvorak / Janacek / Eben -- Prague Chamber Choir, Josef Pancik 1996
Dagmar Maskova, soprano; Marta Benackova, alto; Walter Coppola, tenor; Peter Mikulas, bass; Lydie Hartelova, harp; Josef Ksica, organ; Prague Chamber Choir, Josef Pancik, conductor; Antonin Dvorak, composer.
Rudolfinum/Dvorak Hall, Prague, Czechoslovakia, November, 1993
| Mass In D Major Op. 86 For Soloists, Mixed Choir And Organ Obligato: Kyrie | |
| Mass In D Major Op. 86 For Soloists, Mixed Choir And Organ Obligato: Gloria | |
| Mass In D Major Op. 86 For Soloists, Mixed Choir And Organ Obligato: Credo | |
| Mass In D Major Op. 86 For Soloists, Mixed Choir And Organ Obligato: Sanctus - Benedictus | |
| Mass In D Major Op. 86 For Soloists, Mixed Choir And Organ Obligato: Agnus Dei |
Dagmar Maskova, soprano; Marta Benackova, alto; Walter Coppola, tenor; Peter Mikulas, bass; Lydie Hartelova, harp; Josef Ksica, organ; Prague Chamber Choir, Josef Pancik, conductor; Leos Janacek, composer.
| Our Father For Mixed Choir, Harp And Organ |
Dagmar Maskova, soprano; Marta Benackova, alto; Walter Coppola, tenor; Peter Mikulas, bass; Lydie Hartelova, harp; Josef Ksica, organ; Prague Chamber Choir, Josef Pancik, conductor; Petr Eben, composer.
| Prague Te Deum 1989 For Mixed Choir And Organ |
ECM 1540 NS Heinz Holliger - Beiseit / Alb-Chehr -- Robert Walser 1995
Elmar Schmid, clarinet; Teodoro Anzellotti, accordion; Johannes Nied, contrabass; David James, countertenor; Heinz Holliger, conductor; Robert Walser, poems; Heinz Holliger, composer.
Psychiatrische Klinik Munsterlingen, Switzerland, March, 1994;
DRS Radiostudio Zurich, Switzerland, 1992-1993
| Beiseit: I. Beiseit | |
| Beiseit: II. Schnee | |
| Beiseit: III. Bangen | |
| Beiseit: IV. Wie Immer | |
| Beiseit: V. Trug | |
| Beiseit: VI. Zu Philosophisch | |
| Beiseit: VII. Abend | |
| Beiseit: VIII. Weiter | |
| Beiseit: IX. Angst | |
| Beiseit: X. Und Ging | |
| Beiseit: XI. Druckendes Licht | |
| Beiseit: XII. Im Mondschein (Epilog) |
Klaus Schmid, clarinet; Markus Tenisch, Marcel Volken, Schwyzerorgeli; Paul Locher, violin; Sabine Gertschen, Edmund Volken, dulcimer; Oswald Bumann, bass; Franziskus Abgottspon, narrator; Heinz Holliger, composer.
| Alb-Chehr: Togg(el Mar)ata | |
| Alb-Chehr: Zwischuspil I | |
| Alb-Chehr: Sehnsuchtiga Walzer | |
| Alb-Chehr: Landler | |
| Alb-Chehr: Zwischuspil II | |
| Alb-Chehr: Forlane | |
| Alb-Chehr: Polka | |
| Alb-Chehr: Zwischuspil III | |
| Alb-Chehr: Totutanz |
ECM 1541 Edward Vesala, Sound And Fury - Nordic Gallery 1994
Matti Riikonen, trumpet; Jorma Tapio, alto sax, bass, alto clarinet, bass flute; Jouni Kannisto, tenor sax, flute; Pepa Paivinen, tenor, soprano, baritone, bass sax, flute, alto flute, piccolo; Iro Haarla, harp, piano, keyboards, accordion, koto; Jimi Sumen, guitar; Edward Vesala, drums, percussion, bass, tamboura, angklung; + Tapani Rinne, clarinet; Petri Ikkela, accordion; Kari Linsted, cello; Pekka Sarmanto, bass.
Sound And Fury Studio, Korkeakoski, Finland, 1993 and 1994
| Bird In The High Room | |
| Fulflandia | |
| The Quay Of Meditative Future | |
| Hadendas | |
| Unexpected Guest | |
| Bluego | |
| Lavander Lass Blossom | |
| Streaming Below The Time | |
| One-Two-Three Or Four-Five-Six | |
| A Significant Look Of Birch Grove | |
| On The Shady Side Of Forty | |
| Flavor Lust |
ECM 1542 Keith Jarrett, Gary Peacock, Jack DeJohnette - Standards In Norway 1995
Keith Jarrett, piano; Gary Peacock, bass; Jack DeJohnette, drums.
Konserthus, Oslo, Norway, October 7, 1989
| All Of You | |
| Little Girl Blue | |
| Just In Time | |
| Old Folks | |
| Love Is A Many-Splendored Thing | |
| Dedicated To You | |
| I Hear A Rhapsody | |
| How About You |
ECM 1543 Italian Instabile Orchestra - Skies Of Europe 1995
Alberto Mandarini, Guido Mazzon, trumpet; Pino Minafra, trumpet, megaphone; Lauro Rossi, Sebi Tramontana, trombone; Giancarlo Schiaffini, trombone, tuba; Martin Mayes, French horn, mellophone; Gianluigi Trovesi, alto sax, clarinet, alto, bass clarinet; Mario Schiano, alto, soprano sax; Eugenio Colombo, alto, soprano sax, flute; Daniele Cavallanti, tenor, baritone sax; Carlo Actis Dato, baritone, tenor sax, bass clarinet; Renato Geremia, violin; Paolo Damiani, cello; Giorgio Gaslini, piano, anvil; Bruno Tommaso, double bass; Tiziano Tononi, drums, percussion; Vincenzo Mazzone, tympani, percussion, drums.
White Mobile, Auditorium F.L.O.G., Florence, May, 1994
| Il Maestro Muratore: Il Maestro Muratore | |
| Il Maestro Muratore: Squilli Di Morte | |
| Il Maestro Muratore: Corbu | |
| Il Maestro Muratore: Meru Lo Snob | |
| Il Maestro Muratore: L'arte Mistica Del Vasaio | |
| Il Maestro Muratore: Il Maestro Muratore (Ripresa) | |
| Skies Of Europe: Du Du Duchamp | |
| Skies Of Europe: Quand Duchamp Joue Du Marteau | |
| Skies Of Europe: Il Suono Giallo | |
| Skies Of Europe: Marlene E Gli Ospiti Misteriosi | |
| Skies Of Europe: Satie Satin | |
| Skies Of Europe: Masse D'urto (A Michelangelo Antonioni) | |
| Skies Of Europe: Fellini Song |
ECM 1544 Tomasz Stanko Quartet - Matka Joanna 1995
Tomasz Stanko, trumpet; Bobo Stenson, piano; Anders Jormin, bass; Tony Oxley, drums.
Rainbow Studio, Oslo, Norway, May, 1994
| Monastery In The Dark | |
| Green Sky | |
| Maldoror's War Song | |
| Tales For A Girl, 12 | |
| Matka Joanna From The Angels | |
| Cain's Brand | |
| Nun's Mood | |
| Celina | |
| Two Preludes For Tales | |
| Klostergeist |
ECM 1545 Ketil Bjornstad, David Darling, Terje Rypdal, Jon Christensen - The Sea 1995
David Darling, cello; Ketil Bjornstad, piano; Terje Rypdal, guitar; Jon Christensen, drums.
Rainbow Studio, Oslo, Norway, September, 1994
| The Sea: I | |
| The Sea: II | |
| The Sea: III | |
| The Sea: IV | |
| The Sea: V | |
| The Sea: VI | |
| The Sea: VII | |
| The Sea: VIII | |
| The Sea: IX | |
| The Sea: X | |
| The Sea: XI | |
| The Sea: XII |
ECM 1546-48 Azimuth - Azimuth/The Touchstone/Depart 1994
Kenny Wheeler, flugelhorn, trumpet; John Taylor, piano, synthesizer; Norma Winstone, vocal.
Talent Studio, Oslo, Norway, March, 1977
| Sirens' Song | |
| O | |
| Azimuth | |
| The Tunnel | |
| Greek Triangle | |
| Jacob |
Kenny Wheeler, trumpet, flugelhorn; John Taylor, piano, organ; Norma Winstone, voice.
Talent Studio, Oslo, Norway, June, 1978
| Eulogy | |
| Silver | |
| Mayday | |
| Jero | |
| Prelude | |
| See |
Kenny Wheeler, flugelhorn, trumpet; John Taylor, piano, organ; Ralph Towner, 12-string guitar, classical guitar; Norma Winstone, voice.
Talent Studio, Oslo, Norway, December, 1979
| The Longest Day | |
| Autumn | |
| Arrivee | |
| Touching Points: From The Window | |
| Touching Points: Windfall | |
| Touching Points: The Rabbit | |
| Touching Points: Charcoal Traces | |
| Depart | |
| The Longest Day (Reprise) |
** same as John Taylor, Norma Winstone, Kenny Wheeler - Azimuth, ECM (G) ECM 1099 in 1977 + The Touchstone, ECM 1130 in 1978 + Azimuth With Ralph Towner - Depart, ECM 1163 in 1980.
ECM 1549/50 Jazzensemble Des Hessischen Rundfunks - Atmospheric Conditions Permitting 1995
Albert Mangelsdorff, trombone; Tony Scott, clarinet; Lee Konitz, alto sax; Joki Freund, Heinz Sauer, tenor sax; Rainer Bruninghaus, Bob Degen, piano; Jaime Torres, charango; Bill Frisell, guitar; Eberhard Weber, bass; Ralf-R. Hubner, Paul Lovens, drums; Wilhelm Liefland, narrator; and others.
Hessischer Rundfunk, Frankfurt/Main, West Germany, 1967-1993
| Bagpipe Song | |
| Auf In Den Wald | |
| Niemandsland | |
| Out Of June | |
| Incantation For An Alto Player | |
| Stomp Blase | |
| Krotenbalz | |
| Blues, Eternal Turn On | |
| Accelerated Service | |
| Noldes Himmel | |
| Reverse | |
| Oben | |
| Schattenlehre | |
| Winterballade | |
| Repepetitititive | |
| Darauf Der Schnee Danach | |
| Fahrmann Charon |
same session.
| Concierto De Charangojazz | |
| Waltzer Fur Sabinchen | |
| Fur Den Vater | |
| Merge Song | |
| The Truth Is Unavailable | |
| Der Fahle Zwerg Auf Dem Kahlen Berg | |
| Kauf Dir Einen Bunten Luftballon | |
| Bloody Nose | |
| Von Der Gewohnlichen Traurigkeit | |
| Fin 89 ... Oder Was Der Mensch So Braucht | |
| Manipulation | |
| Herbstschleife | |
| Kauze Und Kauzchen | |
| Nachwort |
ECM 1551 Stephan Micus - Athos 1994
Stephan Micus, Bavarian zither, sattar.
MCM Studios, Majorca, Spain?, November, 1993-February, 1994
| On The Way |
Stephan Micus, 22 voices.
| The First Night |
Stephan Micus, shakuhachi.
| The First Day |
Stephan Micus, 22 voices.
| The Second Night |
Stephan Micus, suling, 22 flowerpots.
| The Second Day |
Stephan Micus, 22 voices.
| The Third Night |
Stephan Micus, nay.
| The Third Day |
Stephan Micus, Bavarian zither, sattar, 11 voices.
| On The Way Back |
ECM 1552 Heiner Goebbels - Ou Bien Le Debarquement Desastreux 1995
Yves Robert, trombone; Xavier Garcia, keyboards, sampling, programming; Heiner Goebbels, sampling, programming; Boubakar Djebate, kora, vocal; Alexandre Meyer, electric guitar, table guitar, daxophone; Moussa Sissoko, djembe; Sira Djebate, vocal; Andre Wilms, voice.
Studio De La Grande Armee, Paris, France, June, 1994
| Longtemps Il Crut Encore | |
| Samedi, 28. Juin | |
| Les Premiers Jours | |
| Jeudi, 3. Juillet | |
| Longtemps, Longtemps, Longtemps | |
| Vendredi, 4. Juillet | |
| Samedi, 5. Juillet | |
| Comme Le Vent Augmentait | |
| Mardi, 8. Juillet | |
| Cette Foret | |
| Vendredi, 25. Juillet 1890 | |
| Il Eut Du Mal | |
| Mardi, 29 | |
| Fili | |
| S'adapter Et Ne Pas S'adapter | |
| 3. Aout 1890 | |
| 9 Heures Apres | |
| Dangoma | |
| Il Comprit | |
| Mort Aux Meres | |
| Koulanja | |
| Haches, Couteaux, Tentacules | |
| 7. Aout 1940 - Apres-Midi | |
| Le Soir | |
| Manilo | |
| 8. Aout 1940 | |
| 13 Aout 1940 - Matin | |
| 20. Aout 1940 | |
| Sunyatta | |
| Dans Le Silence Blanc | |
| Fin Du Bois Du Pins |
ECM 1553 John Surman, Karin Krog, Terje Rypdal, Vigleik Storaas - Nordic Quartet 1995
John Surman, soprano, baritone sax, alto, bass clarinet; Vigleik Storaas, piano; Terje Rypdal, guitar; Karin Krog, voice.
Rainbow Studio, Oslo, Norway, August, 1994
| Traces | |
| Unwritten Letter | |
| Offshore Piper | |
| Gone To The Dogs | |
| Double Tripper | |
| Ved Sorevatn | |
| Watching Shadows | |
| The Illusion | |
| Wild Bird |
ECM 1554 Terje Rypdal - If Mountains Could Sing 1995
Terje Rypdal, electric guitar; Bjorn Kjellemyr, bass; Audun Kleive, drums; + Terje Tonnesen, violin; Lars Anders Tomter, viola; Oystein Birkeland, cello; + Christian Eggen, conductor #3-5,7,9.
Rainbow Studio, Oslo, Norway, January and June, 1994
| 1. | The Return Of Per Ulv |
| 2. | It's In The Air |
| 3. | But On The Other Hand |
| 4. | If Mountains Could Sing |
| 5. | Private Eye |
| 6. | Foran Peisen |
| 7. | Dancing Without Reindeers |
| 8. | One For The Roadrunner |
| 9. | Blue Angel |
| 10. | Genie |
| 11. | Lonesome Guitar |
ECM 1555 NS Sandor Veress -- Camerata Bern, London Voices, Heinz Holliger 1995
Heinz Holliger, oboe; Camerata Bern, Heinz Holliger, conductor; Sandor Veress, composer.
Salle De Musique, La Chaux De Fonds, Switzerland, February, 1993;
BBC Maida Vale Studio, London, England, January, 1992
| Passacaglia Concertante: Andante Con Moto | |
| Passacaglia Concertante: Allegro Scherzando | |
| Passacaglia Concertante: Andante Partando, In Modo D'una Ballata | |
| Passacaglia Concertante: Molto Allegro |
London Voices, Terry Edwards, conductor; Sandor Veress, composer.
| Songs Of The Seasons: I | |
| Songs Of The Seasons: II | |
| Songs Of The Seasons: III | |
| Songs Of The Seasons: IV | |
| Songs Of The Seasons: V | |
| Songs Of The Seasons: VI | |
| Songs Of The Seasons: VII |
Camerata Bern, Heinz Holliger, conductor; Sandor Veress, composer.
| Musica Concertante: Improvisation | |
| Musica Concertante: Meditation | |
| Musica Concertante: Action |
ECM 1556 Michael Mantler - Cerco Un Paese Innocente 1995
Michael Mantler, trumpet, music; Marianne Sorensen, violin; Gunnar Lychou, Mette Winther, viola; Helle Sorensen, cello; Kim Kristensen, piano; Bjarne Roupe, guitar; Mona Larsen, voice; Giuseppe Ungaretti, words; + The Danish Radio Big Band: Palle Bolvig, Jan Kohlin, Henrik Bolberg Pedersen, Benny Rosenfeld, Lars Togeby, trumpet, flugelhorn; Steen Hansen, Kjeld Ipsen, Vincent Nilsson, trombone; Giordano Bellincampi, bass trombone; Axel Windfeld, bass trombone, tuba; Jan Zum Vohrde, flute, alto flute, soprano sax; Michael Hove, flute, clarinet, soprano sax; Flemming Madsen, Uffe Markussen, clarinet, bass clarinet, flute; Bob Rockwell, clarinet, soprano sax; Nikolaj Bentzon, synthesizer; Thomas Ovesen, bass; Jonas Johansen, drums; Ethan Weisgard, percussion; Ole Kock Hansen, conductor.
Danish Radio, Studio 3, Copenhagen, Denmark, January, 1994
| Part 1: Introduzione | |
| Part 1: Girovago | |
| Part 1: Intermezzo 1 | |
| Part 1: Eterno / Stasera | |
| Part 1: Intermezzo 2 | |
| Part 2: Perche? | |
| Part 2: Sempre Notte | |
| Part 2: Inizio (1): Solitudine / Lontano | |
| Part 2: Inizio (2): L'Illuminata Rugiada / Proverbi (Uno) | |
| Part 2: Intermezzo 3 | |
| Part 2: Destino / Rilucere Inveduto / Un'Altra Notte | |
| Part 3: Se Una Tua Mano | |
| Part 3: Intermezzo 4 | |
| Part 3: Vanita | |
| Part 3: Quando Un Giorno / Le Ansie | |
| Part 4: E Senza Fiato | |
| Part 4: Intermezzo 5 | |
| Part 4: No Gridate Piu | |
| Part 4: Tutto Ho Perduto |
ECM 1557 Charles Lloyd - All My Relations 1995
Charles Lloyd, sax, flute, Chinese oboe; Bobo Stenson, piano; Anders Jormin, double bass; Billy Hart, drums.
Rainbow Studio, Oslo, Norway, July, 1994
| Piercing The Veil | |
| Little Peace | |
| Thelonious Theonlyus | |
| Cape To Cairo Suite (Hommage To Mandela) | |
| Evanstide, Where Lotus Bloom | |
| All My Relations | |
| Hymne To The Mother | |
| Milarepa |
** part of Quartets, ECM (G) ECM 2316-20 in 2013.
ECM 1558 Jack DeJohnette w/ Michael Cain And Steve Gorn - Dancing With Nature Spirits 1996
Steve Gorn, bansuri, soprano sax, clarinet; Michael Cain, piano, keyboards; Jack DeJohnette, drums, percussion.
Dreamland Studios, West Hurley, NY, May, 1995
| Dancing With Nature Spirits | |
| Anatolia | |
| Healing Song For Mother Earth | |
| Emanations | |
| Time Warps |
ECM 1559 Marilyn Mazur's Future Song - Small Labyrinths 1997
Nils Petter Molvaer, trumpet; Hans Ulrik, sax; Elvira Plenar, piano, keyboards; Eivind Aarset, guitar; Klavs Hovman, bass; Audun Kleive, drums; Marilyn Mazur, percussion; Aina Kemanis, voice.
Sun Studio, Copenhagen, Denmark, August, 1994
| A World Of Gates | |
| Drum Tunnel | |
| The Electric Cave | |
| The Dreamcatcher | |
| Visions In The Wood | |
| Back To Dreamfog Mountain | |
| Creature Talk | |
| See There | |
| Valley Of Fragments | |
| Enchanted Place | |
| Castle Of Air | |
| The Holey |
ECM 1560 Nils Petter Molvaer - Khmer 1997
Nils Petter Molvaer, trumpet, electric guitar, bass guitar, percussion, samples; Ulf W.O. Holand, samples; Reidar Skar, sound treatments; Roger Ludvigsen, acoustic guitar, percussion, dulcimer; Morten Molster, electric guitar; Eivind Aarset, electric guitar, effects, ambient treatments; Rune Arnesen, drums.
Lydlab A/S, Oslo, Norway, 1996-1997
| Khmer | |
| Tlon | |
| Access / Song Of Sand I | |
| On Stream | |
| Platonic Years | |
| Phum | |
| Song Of Sand II | |
| Exit |
ECM 1561 Anouar Brahem - Khomsa 1995
Jean Marc Larche, soprano sax; Richard Galliano, accordion; Bechir Selmi, violin; Francois Couturier, piano, synthesizer; Anouar Brahem, oud; Palle Danielsson, double bass; Jon Christensen, drums.
Rainbow Studio, Oslo, Norway, September, 1994
| Comme Un Depart | |
| L'Infini Jour | |
| Souffle Un Vent De Sable | |
| Regard De Mouette | |
| Sur I'Infini Bleu | |
| Claquent Les Voiles | |
| Vague | |
| E La Nave Va | |
| Ain Ghazel | |
| Khomsa | |
| Seule | |
| Nouvelle Vague | |
| En Robe D'Olivier | |
| Des Rayons Et Des Ombres | |
| Un Sentier D'Alliance | |
| Comme Une Absence |
ECM 1562 Gateway - Homecoming 1995
John Abercrombie, guitar; Dave Holland, double bass; Jack DeJohnette, drums #1-8, drums, piano #9.
The Power Station, NYC, December, 1994
| 1. | Homecoming |
| 2. | Waltz New |
| 3. | Modern Times |
| 4. | Calypso Falto |
| 5. | Short Cut |
| 6. | How's Never |
| 7. | In Your Arms |
| 8. | 7th D |
| 9. | Oneness |
ECM 1563 Ralph Towner - Lost And Found 1996
Denney Goodhew, sopranino, soprano, baritone sax, bass clarinet; Ralph Towner, classical guitar, 12-string guitar; Marc Johnson, double bass; Jon Christensen, drums.
Rainbow Studio, Oslo, Norway, May, 1995
| Harbinger | |
| Trill Ride | |
| Elan Vital | |
| Summer's End | |
| Col Legno | |
| Soft Landing | |
| Flying Cows | |
| Mon Enfant | |
| A Breath Away | |
| Scrimshaw | |
| Midnight Blue ... Red Shift | |
| Moonless | |
| Sco Cone | |
| Tattler | |
| Taxi's Waiting |
ECM 1564 NS Robyn Schulkowsky, Nils Petter Molvaer - Hastening Westward 1995
Nils Petter Molvaer, trumpet; Robyn Schulkowsky, drums, gong, plate bell, crotales, cymbals, bronze bells; Nils Petter Molvaer, Robyn Schulkowsky, composer.
Rainbow Studio, Oslo, Norway, January, 1995
| Pier And Ocean: I | |
| Pier And Ocean: II | |
| Pier And Ocean: III | |
| Hastening Westward: I | |
| Hastening Westward: II | |
| Hastening Westward: III | |
| Hastening Westward: IV | |
| Hastening Westward: V | |
| Hastening Westward: VI | |
| Hastening Westward: VII |
ECM 1565/66 NS Mozart - Piano Concertos / Masonic Funeral Music / Symphony In G Minor -- Keith Jarrett, Stuttgarter Kammerorchester, Dennis Russell Davies 1996
Keith Jarrett, piano; Stuttgarter Kammerorchester, Dennis Russell Davies, conductor; Wolfgang Amadeus Mozart, composer.
Mozart-Saal/Liederhalle, Stuttgart, Germany, November, 1994, and January, 1995
| Concerto For Piano And Orchestra No. 23 In A Major K. 488: Allegro | |
| Concerto For Piano And Orchestra No. 23 In A Major K. 488: Adagio | |
| Concerto For Piano And Orchestra No. 23 In A Major K. 488: Allegro Assai | |
| Concerto For Piano And Orchestra No. 27 In B-Flat Major K. 595: Allegro | |
| Concerto For Piano And Orchestra No. 27 In B-Flat Major K. 595: Larghetto | |
| Concerto For Piano And Orchestra No. 27 In B-Flat Major K. 595: Allegro |
same session.
| Masonic Funeral Music K. 477 | |
| Concerto For Piano And Orchestra No. 21 In C Major K. 467: Allegro Maestoso | |
| Concerto For Piano And Orchestra No. 21 In C Major K. 467: Andante | |
| Concerto For Piano And Orchestra No. 21 In C Major K. 467: Allegro Vivace Assai | |
| Symphony No. 40 In G Minor K. 550: Molto Allegro | |
| Symphony No. 40 In G Minor K. 550: Andante | |
| Symphony No. 40 In G Minor K. 550: Menuetto (Allegretto) - Trio | |
| Symphony No. 40 In G Minor K. 550: Allegro Assai |
ECM 1567 Terje Rypdal - Double Concerto/5th Symphony 2000
Terje Rypdal, Ronni Le Tekro, electric guitar; Riga Festival Orchestra, Normunds Sne, conductor; Terje Rypdal, composer.
Riga, June, 1998;
Nyhagen, August, 1998
| Double Concerto, Op. 58: I | |
| Double Concerto, Op. 58: II | |
| Double Concerto, Op. 58: III | |
| Double Concerto, Op. 58: IV |
Riga Festival Orchestra, Normunds Sne, conductor; Terje Rypdal, composer.
| 5th Symphony, Op. 50: I | |
| 5th Symphony, Op. 50: II | |
| 5th Symphony, Op. 50: III | |
| 5th Symphony, Op. 50: IV |
ECM 1568 NS Giya Kancheli - Caris Mere 1997
Eduard Brunner, clarinet; Maacha Deubner, soprano; Stuttgarter Kammerorchester, Dennis Russell Davies, conductor; Giya Kancheli, composer.
April, 1994-January, 1995
| Midday Prayers |
Kim Kashkashian, viola; Maacha Deubner, soprano; Giya Kancheli, composer.
| Caris Mere |
Jan Garbarek, soprano sax; Vasiko Tevdorashvili, voice; Stuttgarter Kammerorchester, Dennis Russell Davies, conductor; Giya Kancheli, composer.
| Night Prayers |
ECM 1569 NS Alexandr Mosolov -- Herbert Henck 1996
Herbert Henck, piano; Alexandr Mosolov, composer.
Festeburgkirche, Frankfurt/Main, Germany, March, 1995
| Sonata For Piano No. 2 In B Minor Op. 4: I Sonata - Andante Non Troppo | |
| Sonata For Piano No. 2 In B Minor Op. 4: II Adagio - Espressivo, Sostenuto E Severo (Allegretto) | |
| Sonata For Piano No. 2 In B Minor Op. 4: III Finale - Allegro Tumultuoso, Infernale | |
| Deux Nocturnes Op. 15: I Elegiaco, Poco Stentato | |
| Deux Nocturnes Op. 15: II Adagio | |
| Sonata For Piano No. 5 In D Minor Op. 12: I Lento Grave - Allegro Affanato | |
| Sonata For Piano No. 5 In D Minor Op. 12: II Elegia - Lento | |
| Sonata For Piano No. 5 In D Minor Op. 12: III (Scherzo Marciale) - Presto Con Fuoco | |
| Sonata For Piano No. 5 In D Minor Op. 12: IV Adagio Languente E Patetico - Lento |
ECM 1570 NS Eleni Karaindrou - Ulysses' Gaze -- Kim Kashkashian 1995
Socratis Anthis, trumpet; Vangelis Skouras, French horn; Vangelis Christopoulos, oboe; Andreas Tsekouras, accordion; Kim Kashkashian, viola; Christos Sfetsas, cello; Georgia Voulvi, voice; String Orchestra, Lefteris Chalkiadakis, conductor; Eleni Karaindrou, music #1-10,12-17; traditional, composer #11.
Sound Studio, Athens, Greece, December, 1994
| 1. | Ulysses' Theme |
| 2. | Litany - Variation I |
| 3. | Ulysses' Theme - Variation I |
| 4. | Woman's Theme |
| 5. | Ulysses' Theme - Variation II |
| 6. | Ulysses' Theme - Variation III |
| 7. | The River |
| 8. | Ulysses' Theme |
| 9. | Ulysses' Theme, Litany |
| 10. | Ulysses' Gaze: Woman's Theme / Ulysses' Theme / Lento / Largo / Dance |
| 11. | Byzantine Psalm |
| 12. | Ulysses' Theme - Variation IV |
| 13. | Ulysses' Theme - Variation V |
| 14. | Ulysses' Theme - Variation VI |
| 15. | Ulysses' Theme, Lento, Largo |
| 16. | Litany - Variation II |
| 17. | Ulysses' Theme - Variation VII |
ECM 1571 NS Thomas Demenga -- J.S. Bach / B.A. Zimmermann -- Thomas Zehetmair, Christoph Schiller 1996
Thomas Demenga, cello; Johann Sebastian Bach, composer.
February, May and June, 1995
| Suite Nr. 2 In d-Moll Fur Violoncello Solo: Prelude | |
| Suite Nr. 2 In d-Moll Fur Violoncello Solo: Allemande | |
| Suite Nr. 2 In d-Moll Fur Violoncello Solo: Courante | |
| Suite Nr. 2 In d-Moll Fur Violoncello Solo: Sarabande | |
| Suite Nr. 2 In d-Moll Fur Violoncello Solo: Menuet 1 & 2 | |
| Suite Nr. 2 In d-Moll Fur Violoncello Solo: Gigue |
Thomas Zehetmair, violin; Bernd Alois Zimmermann, composer.
| Sonate Fur Violine Solo: Praludium | |
| Sonate Fur Violine Solo: Rhapsodie | |
| Sonate Fur Violine Solo: Toccata |
Christoph Schiller, viola; Bernd Alois Zimmermann, composer.
| Sonate Fur Viola Solo |
Thomas Demenga, cello; Bernd Alois Zimmermann, composer.
| Sonate Fur Cello Solo: Rappresentazione | |
| Sonate Fur Cello Solo: Fase | |
| Sonate Fur Cello Solo: Tropi | |
| Sonate Fur Cello Solo: Spazi | |
| Sonate Fur Cello Solo: Versetto |
ECM 1572 Dave Holland Quartet - Dream Of The Elders 1996
Eric Person, alto, soprano sax; Steve Nelson, vibes, marimba; Dave Holland, double bass; Gene Jackson, drums; Cassandra Wilson, vocal #4; Maya Angelou, poems #4.
The Power Station, NYC, March, 1995
| 1. | The Winding Way |
| 2. | Lazy Snake |
| 3. | Claressence |
| 4. | Equality |
| 5. | Ebb And Flo |
| 6. | Dream Of The Elders |
| 7. | Second Thoughts |
| 8. | Equality |
ECM 1573 Steve Kuhn - Remembering Tomorrow 1996
Steve Kuhn, piano; David Finck, double bass; Joey Baron, drums.
Rainbow Studio, Oslo, Norway, March, 1995
| The Rain Forest | |
| Oceans In The Sky | |
| Lullaby | |
| Trance | |
| Life's Backward Glance | |
| All The Rest Is The Same | |
| Emmanuel | |
| Remembering Tomorrow | |
| The Felling Within | |
| Bittersweet Passages | |
| Silver |
ECM 1574 Gateway - In The Moment 1996
John Abercrombie, guitar; Dave Holland, double bass; Jack DeJohnette, drums, KORG Wavedrum, Turkish frame drum, piano.
The Power Station, NYC, December, 1994
| In The Moment | |
| The Enhanced Forest | |
| Cinucen | |
| Shrubberies | |
| Soft |
ECM 1575-80 Keith Jarrett - At The Blue Note: The Complete Recordings I-VI 1995
Keith Jarrett, piano; Gary Peacock, bass; Jack DeJohnette, drums.
Blue Note, NYC, 1st Set I, June 3, 1994
| In Your Own Sweet Way | |
| How Long Has This Been Going On | |
| While We're Young | |
| Partners | |
| No Lonely Nights | |
| Now's The Time | |
| Lament |
same personnel.
Blue Note, NYC, 2nd Set II, June 3, 1994
| I'm Old Fashioned | |
| Everything Happens To Me | |
| If I Were A Bell | |
| In The Wee Small Hours Of The Morning | |
| Oleo | |
| Alone Together | |
| Skylark | |
| Things Ain't What They Used To Be |
same personnel.
Blue Note, NYC, 1st Set III, June 4, 1994
| Autumn Leaves | |
| Days Of Wine And Roses | |
| Bop-Be | |
| You Don't Know What Love Is / Muezzin | |
| When I Fall In Love |
same personnel.
Blue Note, NYC, 2nd Set IV, June 4, 1994
| How Deep Is The Ocean | |
| Close Your Eyes | |
| Imagination | |
| I'll Close My Eyes | |
| I Fall In Love Too Easily / The Fire Within | |
| Things Ain't What They Used To Be |
same personnel.
Blue Note, NYC, 1st Set V, June 5, 1994
| On Green Dolphin Street | |
| My Romance | |
| Don't Ever Leave Me | |
| You'd Be So Nice To Come Home To | |
| La Valse Bleue | |
| No Lonely Nights | |
| Straight, No Chaser |
same personnel.
Blue Note, NYC, 2nd Set VI, June 5, 1994
| Time After Time | |
| For Heaven's Sake | |
| Partners | |
| Desert Sun | |
| How About You |
ECM 1581 NS Heinz Reber - MA: Two Songs -- Kimiko Hagiwara, Dohyung Kim, Junko Kuribayashi 1996
Junko Kuribayashi, piano; Kimiko Hagiwara, soprano; Dohyung Kim, baritone #2; Heinz Reber, composer.
DRS Radiostudio Bern, Switzerland, June, 1994
| 1. | School Of Vienna |
| 2. | School Of Athens - School Of No |
ECM 1582 Egberto Gismonti Trio - ZigZag 1996
Nando Carneiro, guitar, synthesizer; Egberto Gismonti, 10 & 14-string guitar, piano; Zeca Assumpcao, double bass.
Rainbow Studio, Oslo, Norway, April, 1995
| ZigZag | |
| Mestico & Caboclo | |
| Orixas | |
| Carta De Amor | |
| Um Anjo | |
| Forrobodo |
ECM 1583 NS Alfred Schnittke - Psalms Of Repentance 1999
Swedish Radio Choir, Tonu Kaljuste, conductor; Alfred Schnittke, composer.
Hogalidskyrkan, Stockholm, Sweden, February, 1996
| I | |
| II | |
| III | |
| IV | |
| V | |
| VI | |
| VII | |
| VIII | |
| IX | |
| X | |
| XI | |
| XII |
ECM 1584 Pierre Favre - Window Steps 1996
Kenny Wheeler, trumpet, flugelhorn; Roberto Ottaviano, soprano sax; David Darling, cello; Steve Swallow, bass; Pierre Favre, percussion.
Rainbow Studio, Oslo, Norway, June, 1995
| Snow | |
| Cold Nose | |
| Lea | |
| Girimella | |
| En Passant | |
| Aguilar | |
| Passage |
ECM 1585 Jan Garbarek - Visible World 1996
Jan Garbarek, soprano, tenor sax, electronic keyboards, percussion, Meraaker clarinet; Rainer Bruninghaus, piano, synthesizer; Eberhard Weber, bass; Manu Katche, drums; Trilok Gurtu, tabla; Marilyn Mazur, percussion, drums; Mari Boine, vocal.
Rainbow Studio, Oslo, Norway, June, 1995
| Red Wind | |
| The Creek | |
| The Survivor | |
| The Healing Smoke | |
| Visible World, Chiaro | |
| Desolate Mountains I | |
| Desolate Mountains II | |
| Visible World, Scuro | |
| Giulietta | |
| Desolate Mountains III | |
| Pygmy Lullaby | |
| The Quest | |
| The Arrow | |
| The Scythe | |
| Evening Land |
ECM 1586 Egberto Gismonti - Meeting Point 1997
Egberto Gismonti, piano; Lithuanian State Symphony Orchestra, Gintaras Rinkevicius, conductor.
Vilnius, Lithuania, June, 1995
| Strawa No Sertao - Zabumba | |
| Strawa No Sertao - Maxixe | |
| Musica Para Cordas | |
| Frevo | |
| A Pedrinha Cai | |
| Eterna | |
| Musica De Sobrevivencia |
ECM 1587 NS Michelle Makarski - Caoine -- Biber / Hartke / Reger / Rochberg / Bach 1997
Michelle Makarski, violin; Heinrich Ignaz Franz Biber, composer.
Propstei St. Gerold, Austria, June, 1995
| Passacaglia In G Minor |
Michelle Makarski, violin; Stephen Hartke, composer.
| Caoine |
Michelle Makarski, violin; Max Reger, composer.
| Chaconne From Sonata In A Minor Op. 91 |
Michelle Makarski, violin; George Rochberg, composer.
| Caprice Variations: No. 18 Allegro Fantastico | |
| Caprice Variations: No. 19 Vivace | |
| Caprice Variations: No. 34 Molto Adagio | |
| Caprice Variations: No. 35 Allegro Molto / Fantastico | |
| Caprice Variations: No. 39 Elegiac / Fantastico | |
| Caprice Variations: No. 41 Allegro Molto | |
| Caprice Variations: No. 42 Nocturnal / Slow | |
| Caprice Variations: No. 47 Arabesque / Fantastico | |
| Caprice Variations: No. 48 Moderately Fast / Fatntastico | |
| Caprice Variations: No. 50 Fantasy | |
| Caprice Variations: No. 51 Quasi Presto / Robusto |
Michelle Makarski, violin; Johann Sebastian Bach, composer.
| Partita Nr. 1 In B Minor BWV 1002: Allemande - Double | |
| Partita Nr. 1 In B Minor BWV 1002: Corrente - Double | |
| Partita Nr. 1 In B Minor BWV 1002: Sarabande - Double | |
| Partita Nr. 1 In B Minor BWV 1002: Tempo Di Bourree - Double |
ECM 1588 Louis Sclavis Sextet - Les Violences De Rameau 1996
Yves Robert, trombone; Louis Sclavis, clarinet, bass clarinet, soprano sax; Dominique Pifarely, acoustic, electric violin; Francois Raulin, piano, keyboards; Bruno Chevillon, double bass; Francis Lassus, drums.
Studios La Buissonne, Pernes-les-Fontaines, France, September, 1995, and January, 1996
| Le Diable Et Son Train | |
| De Ce Trait Enchante | |
| <<Venez Punir Son Injustice>> | |
| Charmes | |
| La Torture D'alphise | |
| Usage De Faux | |
| Reponses A Gavotte | |
| Charmes | |
| Pour Vous ... Ces Quelques Fleurs | |
| Ismenor | |
| Post-Mesotonique |
ECM 1589 NS Meredith Monk - Volcano Songs 1997
Harry Huff, Nurit Tilles, piano; Allison Easter, Dina Emerson, Katie Geissinger, Meredith Monk, voice; Meredith Monk, composer.
Clinton Recording Studios, NYC, July, 1995
| Volcano Songs: Duets: Walking Song | |
| Volcano Songs: Duets: Lost Wind | |
| Volcano Songs: Duets: Hips Dance | |
| Volcano Songs: Duets: Cry #1 | |
| New York Requiem | |
| Volcano Songs: Solos: Offering | |
| Volcano Songs: Solos: Boat Man | |
| Volcano Songs: Solos: Skip Song | |
| Volcano Songs: Solos: Old Lava | |
| Volcano Songs: Solos: Cry #2 | |
| St Petersburg Waltz | |
| Three Heavens And Hells | |
| From Light Songs: Click Song #1 | |
| From Light Songs: Click Song #2 |
ECM 1590 NS Erkki-Sven Tuur - Crystallisatio -- Tallinn Chamber Orchestra, Estonian Philharmonic Chamber Choir, Tonu Kaljuste 1996
Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tonu Kaljuste, conductor; Erkki-Sven Tuur, composer.
Estonia Concert Hall, Tallinn, Estonia, 1994-1995
| Architectonics VI | |
| Passion | |
| Illusion | |
| Crystallisatio | |
| Requiem |
ECM 1591 NS Arvo Part - Alina 1999
Vladimir Spivakov, violin; Sergej Bezrodny, piano; Arvo Part, composer.
Festeburgkirche, Frankfurt/Main, Germany, July, 1995
| Spiegel Im Spiegel |
Alexander Malter, piano; Arvo Part, composer.
| Fur Alina |
Dietmar Schwalke, cello; Alexander Malter, piano; Arvo Part, composer.
| Spiegel Im Spiegel |
Alexander Malter, piano; Arvo Part, composer.
| Fur Alina |
Vladimir Spivakov, violin; Sergej Bezrodny, piano; Arvo Part, composer.
| Spiegel Im Spiegel |
ECM 1592 NS Arvo Part - Litany 1996
David James, countertenor; Rogers Covey-Crump, John Potter, tenor; Gordon Jones, bass; Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tonu Kaljuste, conductor; Arvo Part, composer.
Niguliste Church, Tallinn, Estonia;
Mozart-Saal/Liederhalle, Stuttgart, Germany, September, 1995
| Litany |
Lithuanian Chamber Orchestra, Saulius Sondeckis, conductor; Arvo Part, composer.
| Psalom | |
| Trisagion |
ECM 1593 Ketil Bjornstad, David Darling - The River 1997
David Darling, cello; Ketil Bjornstad, piano.
Rainbow Studio, Oslo, Norway, May, 1995
| The River: I | |
| The River: II | |
| The River: III | |
| The River: IV | |
| The River: V | |
| The River: VI | |
| The River: VII | |
| The River: VIII | |
| The River: IX | |
| The River: X | |
| The River: XI | |
| The River: XII |
ECM 1594 Peter Erskine, Palle Danielsson, John Taylor - As It Is 1996
John Taylor, piano; Palle Danielsson, double bass; Peter Erskine, drums.
Rainbow Studio, Oslo, Norway, September, 1995
| Glebe Ascending | |
| The Lady In The Lake | |
| Episode | |
| Woodcocks | |
| Esperanca | |
| Touch Her Soft Lips And Part | |
| Au Contraire | |
| For Ruth | |
| Romeo & Juliet |
** part of Peter Erskine Trio, John Taylor, Palle Danielsson - As It Was, ECM (G) ECM 2490-93 in 2016.
ECM 1595 NS Franz Schubert - Trio In Es-Dur, Notturno -- Thomas Demenga, Hansheinz Schneeberger, Jorg Ewald Dahler 1998
Hansheinz Schneeberger, violin; Thomas Demenga, cello; Jorg Ewald Dahler, piano; Franz Schubert, composer.
July, 1995
| Trio In Es-Dur Fur Klavier, Violine Und Violoncello Op. 100, D 929: Allegro | |
| Trio In Es-Dur Fur Klavier, Violine Und Violoncello Op. 100, D 929: Andante Con Moto | |
| Trio In Es-Dur Fur Klavier, Violine Und Violoncello Op. 100, D 929: Scherzando (Allegro Moderato) Mit Trio | |
| Trio In Es-Dur Fur Klavier, Violine Und Violoncello Op. 100, D 929: Allegro Moderato | |
| Trio In Es-Dur Fur Klavier, Violine Und Violoncello Op. Posth. 148, D 897 - Notturno: Adagio |
ECM 1596 Misha Alperin - North Story 1997
Arkady Shilkloper, French horn, flugelhorn; Tore Brunborg, tenor sax; Misha Alperin, piano; Terje Gewelt, double bass; Jon Christensen, drums.
Rainbow Studio, Oslo, Norway, September, 1995
| Morning | |
| Psalm No. 1 | |
| Ironical Evening | |
| Alone | |
| Afternoon | |
| Psalm No. 2 | |
| North Story | |
| Etude | |
| Kristi-Blodsdraper (Fucsia) |
ECM 1597 Joe Maneri, Joe Morris, Mat Maneri - Three Men Walking 1996
Joe Maneri, clarinet, alto, tenor sax, piano; Mat Maneri, electric 6-string violin; Joe Morris, electric guitar.
Hardstudios, Winterthur, Switzerland, October and November, 1995
| Calling | |
| What's New | |
| Bird's In The Belfry | |
| If Not Now | |
| Let Me Tell You | |
| Through A Glass Darkly | |
| Three Men Walking | |
| Deep Paths | |
| Diuturnal | |
| Fevered | |
| Gestalt | |
| To Anne's Eyes | |
| Arc And Point | |
| For Josef Schmid |
ECM 1598 NS Gyorgy Kurtag - Musik Fur Streichinstrumente -- Keller Quartett 1996
Keller Quartett: Andras Keller, Janos Pilz, violin; Zoltan Gal, viola; Otto Kertesz, cello; Gyorgy Kurtag, composer.
Casino Zogernitz, Vienna, Austria, November, 1995
| Aus Der Ferne III, Fur Streichquartett | |
| Officium Breve, In Memoriam Andreae Szervansky, Op. 28 |
Keller Quartett: Andras Keller, Janos Pilz, violin; Otto Kertesz, Miklos Perenyi, cello; Gyorgy Kurtag, celeste; Gyorgy Kurtag, composer.
| Ligatura - Message To Frances-Marie (The Answered Unanswered Question), Op. 31/b, Fur 2 Violoncelli, 2 Violinen Und Celesta, Version 1 |
Keller Quartett: Andras Keller, Janos Pilz, violin; Zoltan Gal, viola; Otto Kertesz, cello; Gyorgy Kurtag, composer.
| Quartetto Per Archi, Op. 1: I Poco Agitato | |
| Quartetto Per Archi, Op. 1: II Con Moto | |
| Quartetto Per Archi, Op. 1: III Vivacissimo / Lento | |
| Quartetto Per Archi, Op. 1: IV Con Spirito | |
| Quartetto Per Archi, Op. 1: V Molto Ostinato | |
| Quartetto Per Archi, Op. 1: VI Adagio |
same session.
| Hommage A Mihaly Andras, 12 Mikroludien Fur Streichquartett, Op. 13: I [MM = 20] | |
| Hommage A Mihaly Andras, 12 Mikroludien Fur Streichquartett, Op. 13: II [MM = 60-80] | |
| Hommage A Mihaly Andras, 12 Mikroludien Fur Streichquartett, Op. 13: III quarter note = 160-152 | |
| Hommage A Mihaly Andras, 12 Mikroludien Fur Streichquartett, Op. 13: IV Presto | |
| Hommage A Mihaly Andras, 12 Mikroludien Fur Streichquartett, Op. 13: V Lontano, Calmo, Appena Sentito | |
| Hommage A Mihaly Andras, 12 Mikroludien Fur Streichquartett, Op. 13: VI [MM = 20-30] | |
| Hommage A Mihaly Andras, 12 Mikroludien Fur Streichquartett, Op. 13: VII | |
| Hommage A Mihaly Andras, 12 Mikroludien Fur Streichquartett, Op. 13: VIII Con Slancio | |
| Hommage A Mihaly Andras, 12 Mikroludien Fur Streichquartett, Op. 13: IX Pesante, Con Moto / Leggiero | |
| Hommage A Mihaly Andras, 12 Mikroludien Fur Streichquartett, Op. 13: X Molto Agitato | |
| Hommage A Mihaly Andras, 12 Mikroludien Fur Streichquartett, Op. 13: XI [MM = 20] | |
| Hommage A Mihaly Andras, 12 Mikroludien Fur Streichquartett, Op. 13: XII Leggiero, Con Moto, Non Dolce |
Keller Quartett: Andras Keller, Janos Pilz, violin; Otto Kertesz, Miklos Perenyi, cello; Gyorgy Kurtag, celeste; Gyorgy Kurtag, composer.
| Ligatura - Message To Frances-Marie (The Answered Unanswered Question), Op. 31/b, Fur 2 Violoncelli, 2 Violinen Und Celesta, Version 2 |
ECM 1599 NS Eduard Brunner - Dal Niente -- Lachenmann / Stockhausen / Stravinsky / Boulez / Scelsi / Yun 1997
Eduard Brunner, clarinet; Isang Yun, composer.
Propstei St. Gerold, Austria, October, 1995
| Piri |
Eduard Brunner, clarinet; Igor Stravinsky, composer.
| Three Pieces For Clarinet Solo: I | |
| Three Pieces For Clarinet Solo: II | |
| Three Pieces For Clarinet Solo: III | |
| Piece For Clarinet Solo (Dedicated To Pablo Picasso) |
Eduard Brunner, clarinet; Pierre Boulez, composer.
| Domaines Pour Clarinette Seule: Cahier A Original | |
| Domaines Pour Clarinette Seule: Cahier D Original | |
| Domaines Pour Clarinette Seule: Cahier F Original | |
| Domaines Pour Clarinette Seule: Cahier E Original | |
| Domaines Pour Clarinette Seule: Cahier B Original | |
| Domaines Pour Clarinette Seule: Cahier C Original | |
| Domaines Pour Clarinette Seule: Cahier C Miroir | |
| Domaines Pour Clarinette Seule: Cahier D Miroir | |
| Domaines Pour Clarinette Seule: Cahier E Miroir | |
| Domaines Pour Clarinette Seule: Cahier A Miroir | |
| Domaines Pour Clarinette Seule: Cahier B Miroir | |
| Domaines Pour Clarinette Seule: Cahier F Miroir |
Eduard Brunner, clarinet; Karlheinz Stockhausen, composer.
| In Freundschaft |
Eduard Brunner, clarinet; Giacinto Scelsi, composer.
| Preghiera Per Un'Ombra |
Eduard Brunner, clarinet; Helmut Lachenmann, composer.
| Dal Niente (Interieur III) |